Storage Stories is the tale of a man who used to be a singer in a successful boy band; now he has to face up to "every pop star's nightmare, the most terrifying prospect of all. I might have to get a proper job."
The job is running a storage facility, where he looks after the surplus possessions of Londoners while they move house, travel the world, wait for probate or split up from their partners. Everyone who puts goods into storage has a tale to tell, or one to put on hold: these stories form the substance of the book, alongside the narrator's personal struggle to deal with the emotional and financial implications of not being famous any more.
A singer with Carter The Unstoppable Sex Machine, Jim Bob is familiar with the world of contemporary pop; however, Storage Stories is not documentary but finely crafted fiction. His comments on the music industry - sometimes angry, sometimes wistful, always well informed - from time to time suggest a 21st century retake on material in Nick Hornby's High Fidelity, while the book's location in a world of abandoned goods evokes Stella Duffy's The Room of Lost Things. Jim Bob's writing style is informal, direct, observant and emotionally honest, particularly when the narrator recounts his failings and vulnerabilities as a father. It is also, at times, quite beautiful.
Unusually for an adult novel, Storage Stories has illustrations - witty, poignant sketches which are intrinsic to the narrative. The wounds on the face of Janie, the woman whom the narrator loves but who is being abused by her husband, become ever more sinister, but her smile never fades. The Most Miserable Sweetshop In The World is clearly just that.
Self-published, this book is produced to a high professional standard, with clear type, generous spacing and lots of good visual jokes. It is reasonably priced at £9.99 for a moderately fat, hugely satisfying laugh-till-you-cry paperback.