- Vinyl (28 July 1989)
- Format: Import
- Label: Jive
- ASIN: B00008F94A
- Other Editions: Audio CD | Audio Cassette | MP3 Download
- Average Customer Review: 4.7 out of 5 stars See all reviews (36 customer reviews)
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Product details
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| 1. I Wanna Be Adored |
| 2. She Bangs the Drums |
| 3. Elephant Stone |
| 4. Waterfall |
| 5. Don't Stop |
| 6. Bye Bye Badman |
| 7. Elizabeth My Dear |
| 8. (Song for My) Sugar Spun Sister |
| 9. Made of Stone |
| 10. Shoot You Down |
| 11. This Is the One |
| 12. I Am the Resurrection |
| 13. Fools Gold |
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This imported version contains TWO extra tracks - Elephant Stone and Fools Gold. Whilst these extra tracks are both truly remarkable, in fact in the case of Fools Gold simply astonishing, I think most people who would compare the two versions of the album would say that the additions leave the record less balanced.
As a collection of 100% great tracks, it's better as there are more, but the running of the album is thrown slightly. Elephant Stone cuts into the original 3-track tour de force that opens the album, and Fools Gold comes along in the shadow of the gigantic I Am The Resurrection.
My advice to anyone still yet to buy the album would be to get the original 11 track version, and then buy Turns Into Stone for Elephant Stone, Fools Gold, and array of other 24 carat tracks, because some part of the beauty and the undenial classic appeal of the album lies in its flawless running order.
After the panoramic, rumbling buildup of "I Wanna Be Adored," the Roses catch you with rollicking, infectious rock songs and psychedelic trips. While sticking to strong pop melodies and rock instrumentation, the Roses manage to experiment around a bit -- the delicate "Waterfall" is literally turned backwards and replayed, in a song that is almost as good as the original.
The true rock rebellion shows in "Bye Bye Bad Man" with protests concerning French student riots ("Every backbone and heart you break/We'll still come back for more") and an acid-tinged anti-royalist song. Finishing up the unalloyed brilliance is the bitter, complicated "I Am the Resurrection," and the melodic "Fool's Gold" -- two of the best songs on the album.
The Stone Roses spread their influence far in this album -- there are soft ballad-like melodies, whirling psychedelic trips, and rock that rises, crests and slowly sinks. Expect your heartbeat to rise and sink with it -- because this music has a richness and depth that most rock music cannot even begin to equal.
John Squire's guitar riffs are flexible and fluid; it sounds like this guy was reinventing guitar licks all on his own. His shimmering guitar riffs of "Waterfall" are truly magnificent. The deep basslines will drawn you in whether you like it or not, as will Reni's outstanding drumming. Everything culminates in a wild, dense psychedelic mass in the overwhelming "I Am the Resurrection."
Ian Brown's vocals are excellent; unlike many rock singers, he has genuine vocal talent. The writing for these songs is deeply vibrant. Sometimes the intensity is almost breathtaking, as Brown sings, "I am the resurrection and I am the light/I couldn't ever bring myself/To hate you as I'd like." Ow, heavy stuff. But he is equally good with the quieter songs, sounding sad and a little pensive.
"The Stone Roses" is an unforgettable musical experience. A culmination of musical genius, this is one of the handful of albums out there without a bad track or a sense of monotony. Very, very highly recommended.
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