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This collection of essays by leading photographic and film theorists considers the changing relationship between the still and moving image in contemporary culture. The photograph has traditionally been seen as a quintessentially still image but new technological developments in digital media have fundamentally altered the way in which we think about the still and the moving image. Topics include the cinematic fragment and cultural memory; the film still and the tableau in contemporary photographic practice; time and the event; still photography in the cinema of the fantastic; the ontology of the still image; still video portraits; digital technology and the still image.
This collection of essays by leading photographic and film theorists considers the changing relationship between the still and moving image in contemporary culture. The photograph has traditionally been seen as a quintessentially still image but new technological developments in digital media have fundamentally altered the way in which we think about the still and the moving image. Topics include the cinematic fragment and cultural memory; the film still and the tableau in contemporary photographic practice; time and the event; still photography in the cinema of the fantastic; the ontology of the still image; still video portraits; digital technology and the still image.
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