Steve Hackett's MIDSUMMER NIGHT'S DREAM is a lengthy suite for guitar and orchestra. I'd call it a ballet - and it's easy to imagine it being danced. The overall sound is decidedly Romantic, with a mix of influences: a lot of mid-nineteenth century classical guitar music; twentieth-century Segovia repertoire such as Ponce, Castelnuovo-Tedesco and Villa-Lobos; impressionistic Genesis, and some Bach. Given Steve's extraordinary gift for melody, the result is magical.
I'm surprised but not shocked by Hackett's proficiency with the classical guitar. His tone is warm and pleasing - a short nail sound. He doesn't yank at the strings as might be expected. His rhythm is sure, scales quick, voices clearly articulated, tremeloes fast and even, harmonics bright and... wow, what a vibrato! Only the arpeggios are a little uneven, although most are very good.
There are 18 segments/tracks to this "ballet". Tracks 3-7, 10, and 18 are guitar solo. Tracks 1, 2, 8, 9, 11, 12 and 14-17 are Steve with the orchestra. In track 17, "Celebration", all are joined by a pipe organ. Only track 13, "Mountains Turned into Clouds", is exclusively orchestra. ALL of these segments are admirable composition beautifully and sensitively performed. My own favorite segment is track 15, "Starlight", which sounds like Humperdinck (German composer Engelbert Humperdinck, the REAL one!) mixed with Bach. It's such a sweet romantic melody, I could believe Christopher Parkening would enjoy playing it. Track 3, "By Paved Fountain" is a lovely tremelo piece. "Celebration" is wonderful, too and Steve's accompaniment reminds me of that in the Giuliani 1st Guitar Concerto.
I should say I'm usually unimpressed by rock guitarists' attempts at classical guitar, but Steve Hackett is not just a rock guitarist; he's a GUITARIST... and a great musician.