Steppenwolf is a novel on what it means to be alive, albeit the character of life in this book often finds itself the recipient of harsh criticism and hatred.
Hesse claimed that this work was written to portray some of the feelings of alienation and isolation that the author was feeling around the time of his fiftieth year. Despite being broken into three parts Steppenwolf essentially deals with one theme - that of the main protagonist Harry, and the struggle between his animal instincts and society.
Although Harry is somewhat alien to most of us in his utter and almost innate sadness, he does share with us a great deal. He in essence shares the struggle we all have - the one between instinct and decorum, between sensation and society. Harry is trapped because he is living as a wolf and as a man. The wolf part his base desires and the man the part of him that seeks solace in the music of Beethoven. However in reality both parts of Harry are human in nature. We all live as sensuous beings and at the same time as members of a working society, in which there are rules of conduct that will curtail the beast in us.
Steppenwolf was taken up by sixties counter-culturists as a brick to break down the walls of society around them, finding in its pages a bleak portrait of the world in which we live. The beast within lashed out, ripped the pictures from the walls and called in a new decorator! Necessary as this may have been at the time, this was not the message Hesse intended. Indeed his message was far more universal and timeless. He told us that we should enjoy the fullness of life, soak ourselves in its reveries, mine the pleasures of the intellect, but also learn how to dance and make love, to duck and dive in and out of its many forms of existence. And to do this we must not dispel the man or the beast, but we must let them lie together in an embrace, tumbling through the tides of life