Living in the rainforest of Brazil, a group of American researchers, working for a pharmaceutical company, is trying to complete a long research project and ready a new drug for FDA approval. The leader of the project is Dr. Annick Swenson, a tough, seventy-three-year-old woman who has not left Brazil for over a decade. Though the pharmaceutical company is paying for all the expenses, no one at the company can find out the current status of the project-the last person sent to check on it, Anders Eckman, died of fever shortly after his arrival at the lab. The company decides that someone else must return to Brazil, evaluate the progress of the research and bring back Eckman's effects. Marina Singh, who once studied with Annick Swenson and has shared an office with Anders Eckman, is the person who makes this trip.
Within this framework, Patchett creates a novel which appeals on several levels at once. The exotic setting, filled with purple moths, blue mushrooms, yellow-barked trees, and other never-before-seen plant and animal life, captures the reader's imagination, even as the main characters are fighting anacondas, medical problems such as fevers and malaria, and a tribe which shoots poison arrows. Her ability to call forth sense impressions gives vitality to the setting.
As the action evolves, the author develops her characters and themes. Death is a constant threat, and the illnesses, accidents, and animal attacks keep that theme front and center, even as the research project is supposed to be geared to saving lives. Balancing death as a theme, of course, is love. Dr. Swenson had a lover for many years. Eckmann has left behind a wife and three young children, all of whom are devastated by his absence. Marina herself loves Dr. Fox in charge of the pharmaceutical company. Several characters receive ghostly visitations from loved ones during nightmares caused by their anti-malarial drugs, or when they face imminent death. These visions add information about the characters' backgrounds and, at times, provide new directions for the plot.
Ambition, to which all the varied characters have sacrificed years of their personal lives, so dominates the lives of many characters, they often fail to come alive for the reader. Though they are individualized, they do not always feel completely human, and their motivations sometimes seem imposed from without, rather inherent in their personalities. The dialogue conveys information and background more often than it conveys inner feelings. The most life-like character is Easter, a young deaf Indian child, whose fate seems tenuous, at best. Marina Singh, also creates empathy as she faces choices that challenge her to the limit.
These are minor defects, however, in a book that is full of action and interest. Patchett raises many questions about what drives those who give up virtually everything for pure science, questioning how much is done from idealism, how much from naivete, and how much for personal gain. The action speeds along on the strength of a fast-paced narrative full of suspense: What really happened to Dr. Anders Eckman? What is the nature of the drug that Dr. Swenson is working so hard to protect and develop? How will it change modern life as we know it? Ultimately, Marina must make the biggest choice of her life, and I suspect that every reader of the book will weigh the issues as to whether she makes the "right" choice. Should be a popular hit this summer. Mary Whipple