The jaunty gray on yellow cover reminds us that, at his best, Giorgio Agamben is like a breath of spring air across the dreary landscape of geopolitical quagmire. When I got this book, I panicked because it advertised itself as the sequel to an earlier Agamben essay which I had not read! Nevertheless I sucked it up and dove on in, prepared to be baffled and bemused, but believe me, STATE OF EXCEPTION is a stand-alone as well, and you need no prior knowledge of what happened in the earlier book HOMO SACER to understand the concepts here. I'm no scholar, but it seems to me that even he or she who knows absolutely nothing about Latin will be able to understand the history he delves into (perhaps a refresher course in HBO's series "ROME" would be in order). Partly this is due to the exemplary translation, by UC Davis' Kevin Attell, whose work I have not run across before. He's great. He has re-translated or so it appears, not only Agamben's steely prose, but also each of Agamben citations from the original Latin, German, French, Greek, Italian or whatever. How does he do it? I have no idea, but his expertise is quite helpful especially when the reader needs to see where the emphasis falls in Agamben's particular use of his sources, it's now crystal clear.
Along the way Agamben and Attell demolish all our previous ideas about the so-called "state of exception." Even such obvious ones such as the ease with which we on the left have applied the term "dictator" to such figures as Mussolini and Hitler, even though, legally speaking, neither of them were dictators. It's easier for us to dismiss them this way. In general the book gains power, sweep and poetry the deeper you get into it.
I feel like I've already read HOMO SACER, it must be more about how under martial law (or say in the case of Hitler's death camps) humans were reduced to what Agamben called "mere life," with their citizenship stripped from them, so that they live in a state of nowhere, like that Beatles song. STATE OF EXCEPTION is to Agamben's body of work what STATE OF INDEPENDENCE was to Donna Summer's-a crisp, dry, declaration of moving on, wiping it up, and tearing the mind a new hole of opinion.