Dominic Sandbrook's epic and immersive history of the early 1970's will bust many a lazy myth about the decade.
This work shows us that this was not just some absurdist naff time of silly fashion and rubbish art, a kind of hang-over from the 60's. The early 70's was time when many of the titanic shifts we usually ascribe to the 60's actually kicked in (and kicked off). So, "permissiveness", sexual freedom, advances in liberal attitudes to sexuality and gender politics, all took the ball passed in the 60's and ran with it. This was the time of sit ins to stop motorways and new urban development, of a burgeoning `green' movement, of Germaine Greer and "the Female Eunuch," of the pill bringing sexual liberation, of the recognition of domestic violence as an issue and the first refuges, of David Bowie and Ziggy Stardust and similar acts bringing as strong a counter culture as anything the 60's could produce.
This was also the decade when many of the issues we feel are new to our own time, or more keenly felt by us than before, were in fact in centre stage then. So we have an austerity programme that heralded in the famous "3 day week,", vicious political brawls about Europe and our place therein, the scourge of terrorism, and even an indeterminate general election result and an approach to the liberals to form a coalition; all this formed political headlines in the early part of the 1970's. Also, the `managerial' themes in Edward Heath's government were a precursor to those shown by New labour and our current Government, and `One Nation' Toryism does seem like a reflection of "the centre ground." And we have celebrity footballers and accusations of the soul being ripped from the game, and shocking violence in the streets with `hooligans' replacing our `hoodies.'
Far from being just a silly naff "in between" time, then, this was a time where big themes in national history really got into their swing. Sandbrook excels in bringing these big themes to life through illustrations through popular culture and newspaper and eyewitness accounts. He is very fond of using 1970's television to show how these big themes were being played out in the media and public consciousness, being especially fond of "Doctor Who" and 1970's sitcoms. His use of the popular sitcom of the time "Love Thy Neighbour" to illustrate attitudes to race and immigration of the day is both shocking and salutary, for example, as with "On the Buses" and its casual but powerful hostility to women.
His writing on the travails of the Heath Government reads like a powerful political thriller, with its phenomenal run of bad luck and cruel twists of fate, and in characters like Edward Heath, and nemesis Enoch Powell, you have characters straight from Shakespearean political drama and tragedy. Heath himself, well intentioned, arrogant, fatally blind in areas like empathy and even political survival, and a belief in consensus politics and a steady managerial approach even when the throat of his government is being torn out by union militancy and terrorism, is a study in hubris and fatal political and personal flaw that bring downfall.
The chapters on Ireland and sectarian violence are utterly horrifying and heartbreaking. 9/11 may have been new in terms of scale, but in terms of a cumulative body count and massacre of innocence, and images of searing freeze frame horror, the 70's terrorism should have satisfied humanity's most crazed demons forever.
For both those who lived through this time and those born after, this work will bring perspective and understanding. It is epic and exciting history.