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Startide Rising
 
 
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Startide Rising [Mass Market Paperback]

David Brin
4.7 out of 5 stars  See all reviews (9 customer reviews)

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Product details

  • Mass Market Paperback: 480 pages
  • Publisher: BANTAM BOOKS; later printing edition (Sep 1983)
  • Language English
  • ISBN-10: 0553234951
  • ISBN-13: 978-0553234954
  • Product Dimensions: 17 x 10.4 x 2.8 cm
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Bestsellers Rank: 1,354,171 in Books (See Top 100 in Books)

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David Brin
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Product Description

Product Description

The second in the "Uplift" series and winner of the Hugo and Nebula award, this novel describes how a spaceship crew of dolphins and a genetically engineered human find an ancient fleet and cadaver. They must fight to carry their prize of knowledge and power back to Earth. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Most Helpful Customer Reviews
4 of 4 people found the following review helpful
NEVER SO LATE. 10 Jan 2002
Format:Paperback
I am sorry that I havent read this and other Uplift books before. But better to read late than never. In this book with the background given in SUN DIVER (First book of Uplift Saga), you find yourself in a forgotton corner of the uplift universe. With the dolphins and man as a team (though it is weird for the ancient galactics to work as a team for the clients and masters) earthlings are against all universe. Usually when reading a book you put yourself in the place of the main character. In this book in each chapter you view the galaxy with the eyes of one of the characters. Though it is sometimes tiresome to try to reach the speed of the events, David Brin made it fantastically wonderful. Also the thought mechanisms of eatiees and uplifted dolphins and chimpanzees are well plotted. Time to time I asked myself whether David Brin live among those eatiees.
It is a MUST BE READ book for not only sci-fi lovers only but fiction lovers as well.
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2 of 2 people found the following review helpful
Terrific fun 16 July 2011
By A. Whitehead TOP 500 REVIEWER VINE™ VOICE
Format:Paperback
The abandoned and fallow ocean world of Kithrup, AD 2489. The predominantly dolphin-crewed starship Streaker has sought refuge deep underwater whilst pursuing armadas belonging to dozens of major Galactic races clash in the skies overhead, each fighting for the right to capture Streaker and the secrets she possesses. Streaker has found a fleet of abandoned starships in a globular cluster that date back to the time of the fabled Progenitors, and there are races willing to commit murder and genocide to learn more about the birth of intergalactic civilisation. The crew of the Streaker will have to call upon all their resources and cleverness if they are to escape from Kithrup, but the crew itself is divided over the course of action to take, and the planet itself harbours dark secrets of its own.

Startide Rising was first published in 1983 and is one of the rare SF novels to 'win the double', securing both the Nebula and Hugo Awards for Best Novel, a feat also achieved by Dune, Neuromancer, Doomsday Book, Rendezvous with Rama and Ender's Game. It's one of the best space opera novels published in the last thirty years and is probably the most advisable starting point for reading Brin's Uplift Saga (the first book, Sundiver, is the weakest in the series and has little to nothing to do with the other five books, though still a reasonably entertaining novel on its own merits).

The book is notable for being a space opera where most of the action takes place deep underwater, and where humans are in the minority as characters. Most of the cast are neo-dolphins, 'uplifted' from animals into sentient beings. They are mostly at home in the water, but have cybernetic walkers to allow them to interact with humans on dry land. Because dolphins are a new addition to the ranks of uplifted races they are also a tad of the flaky side, and several subplots in the books follow the problems caused when some of the dolphins' conditioning fails in the face of stress and they revert into mindless animals (especially dangerous for the ones that have elements of more hostile aquatic species spliced into their genetic code). Brin puts a lot of work into the dolphin society, organisation and language (the dolphins have a haiku-like way of speaking which bridges their primal language of squeaks, clicks and sonar and the human language, Anglic) and it's extremely convincing. The premise - talking space dolphins! - could veer into silliness very easily, but Brin overcomes this by simply taking the subject seriously, though injecting a lightness of tone into proceedings to reflect the playful nature of the species.

The character-building is strong. The neo-dolphin captain, Creideiki, is developed as a philosophical warrior who has developed a personal code of combining the best traits of his pre-sentient ancestors with things they have learned from humanity, rather than valuing one above the other as some of his other crewmembers do. Similarly, many of the other dolphins are painted distinctly with their own personalities, goals and motivations, some of them in conflict with one another. The other crewmembers of Streaker - seven humans and a neo-chimp - also come across well, though they fall into broader archetypes than the dolphins: the befuddled professor, the morally ambiguous and ambitious scientist, the hotheaded young kid who discovers responsibility and maturity and so on. Still entertaining, but it is interesting that the human characters come across as slightly broader than the dolphin ones. I was also surprised that some characters who play major roles in later books barely even appear in this one.

The book is broken up by interludes focusing on the various alien races battling for control of the planet: the humourless but honourable Thennanin, the avian Gubru, the rapacious Tandu, the cruel Soro, the weird Jophur (a race of hostile stacked donuts!) and so on. Brin doesn't have much time to do more than characterise these races in the quickest of strokes and they lack real depth, something I suspect Brin realised as subsequent books flesh out various of these races in more detail (the Gubru and Thennanin in The Uplift War, the Jophur in Infinity's Shore and so on). However, they are in the book primarily to provide an impetus for the Streaker to get away, and the regular switches away to their POVs keep us updated on the course of the battle and how much time the Earthlings have before one of the alien races triumphs and is able to pursue the Streaker. It's an effective way of building tension, especially as the novel moves into is climactic stages and the author puts his foot down in the run-up to the finale.

Essentially, Startide Rising is a big, brash, colourful and fun space opera. He addresses some interesting and real scientific issues and concerns (the need for the Galactics to be ecologically aware to avoid 'burning out' their galaxies of habitable planets in just a few tens of millennia is touched on, though lightly enough not to get preachy), but his main objective is to entertain, and he does that in spades. The structure of the series means that a number of storylines are left hanging at the end of Startide Rising which aren't revisited until the fifth book, which isn't a problem now but was a bit more unusual at the time (especially as the fifth book wasn't published until fifteen years after the second), but these hanging elements are more, "What adventures will they have next?" rather than cliffhangers. The book does a good job of standing alone, whilst the subsequent book, The Uplift War, shows the fall-out of events in this novel on Earth and her colonies, but also works more or less as a stand-alone.

Startide Rising (****½) is a tremendously readable, entertaining and smart novel that takes a wild premise and runs with it.
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2 of 2 people found the following review helpful
Format:Paperback
The second book in the uplift series but in reality part 1 of the Uplift Wars.A good read which is more about the dirty politics of alien cultures including our own, but it maintains the readers interest despite never properly addressing the cause of the problem which no doubt is to come in the Uplift Wars proper.
Early on, one is left thinking that the author will struggle to hold your interest until the end but the tension builds nicely and the conceptual originality which started in Sundiver builds nicely.
The dictionary at the front is useful and considerably helps in interpretation and understanding. The end is very clever and keeps you guessing.
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