The setting of the story is Hollywood at the end of the second World War. Ben Collier,a serving soldier dealing with film and news coverage of the internment camps in Germany, is travelling to Hollywood on The Chief,to visit his estranged brother Danny, who is lying in a coma in hospital after falling from the balcony of his hotel room. On the train he makes the aquaintance of Sol Lasner an independent film producer who runs a small Studio called Continental. He assists Sol when he suffers a slight heart attack, resulting in Sol offering him the facilities of the Studio to cut and shape the film reels he has into a structured whole for showing. Danny dies while Ben is visiting at the hospital and Ben gets involved with his wife, Liesl, and her family and friends, Germans and Jews of the literary set, who fled Germany before and during the War with the assistance of Danny who lived in Germany at the time. After some initial queries, Ben looks further into Danny's death, did he fall or was he pushed? There are rumours of spies and communists, Ben meets a senator looking for information to start a witchhunt exposing communists working in the film industry, perverting films to show the Russians in a favourable light. Glamorous film stars make fleeting appearances, there is a film columnist, a la Hedda Hopper and some of Lasner's one-liners are reminiscent of Samuel Goldwyn's more famous quotes. Ben stumbles through half truths, red herrings, some actions not fully explained but he gets there in the end. Maybe not one of Joseph Kanon's best but still well worth reading.