Amazon.co.uk Review
John Williams's music for
Star Wars looks back to the Golden Age of Hollywood, particularly to the sweeping grandeur of Erich Wolfgang Korngold's
The Sea Hawk and
The Adventures of Robin Hood. Korngold, himself an opera composer, drew upon the Wagnerian
leitmotif technique of assigning a melody to each important character, and Williams followed this approach, creating a series of memorable themes developed throughout all the
Star Wars movies, including
The Phantom Menace. The result is a vast, surprisingly unified tapestry of music, a veritable space-operatic
Ring cycle for our times. This rich, glittering, boldly orchestrated music is filled with rousing action, wistful reflective passages and moments of playful humour (including some witty retro-alien jazz for the Mos Eisley cantina band). Epic in scope and wearing it's romantic heart on its sleeve, Williams's music is a galaxy far, far away from the ecstatic, modernistic score he produced the same year for
Close Encounters of the Third Kind. Although various
Star Wars albums have long been available, this double-disc Special Edition at last presents the entire score in original running order. The performance of the London Symphony Orchestra is superb, and the remastered sound a significant improvement on previous issues. In 1977
Star Wars heralded a revival of traditional orchestral scoring which continues today, paving the way for such composers as David Arnold, Bruce Broughton, Patrick Doyle, James Horner and many more. This is the definitive presentation of perhaps the pivotal score in all film history, and an essential part of any collection. --
Gary S. Dalkin
CD Description
One of the greatest aspects of the original STAR WARS trilogy is John Williams's score. "Main Title/Rebel Blockade Runner" is the opening theme to A NEW HOPE, and it begins with an unmistakable powerful brass fanfare. As the piece develops, Williams introduces many of the leitmotifs that he will use later in the picture. This exciting overture foreshadows the galactic struggle that will take place and anticipates the triumph of the tale's heroes (Luke, Han, and their comrades).
"The Imperial Attack" focuses on the power of the "Dark Side". Wagnerian brass figures bring both fervour and weight to this track. This music is truly menacing, and it effectively portends the wrath of Darth Vader. As the piece intensifies, the timpanist plays a steady series of blows, suggesting the Imperial pounding of rebel forces. "Cantina Band" is a much lighter track, and this jovial Dixieland-in-space tune adds comic relief to the otherwise dense score. "Tales of a Jedi Knight/Learn About the Force" is a mysterious workthat features Ravel-like swirling violins, distant harp glissandos, and the delicate wash of a celesta. The London Symphony Orchestra performs all of this music exquisitely, and, led by composer and conductor Williams, they give this cinematic classic a resoundingly memorable musical personality.