Product details
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| 1. Star Wars Main Title and Ambush on Coruscant |
| 2. Across The Stars (Love Theme from Star Wars: Episode II) |
| 3. Zam The Assassin and The Chase Through Coruscant |
| 4. Yoda And The Younglings |
| 5. Departing Coruscant |
| 6. Anakin and Padm? |
| 7. Jango's Escape |
| 8. The Meadow Picnic |
| 9. Bounty Hunter's Pursuit |
| 10. Return To Tatooine |
| 11. The Tusken Camp and The Homestead |
| 12. Love Pledge and The Arena |
| 13. Confrontation With Count Dooku and Finale |
Fans will delight in the increased appearance of the series' classic themes, underlining the wider saga and tantalisingly foreshadowing future events while, like a Bond score, retaining the series' beloved musical signature. Williams frames the film's tragic romance with a beautiful love theme, "Across the Stars". A sweeping epic with a melancholic edge, it's the strongest track, the "threatened romance" theme further showcased in "Anakin and Padme" and "The Meadow Picnic". Yet, the action cues find Williams on equally glorious form. "Jango's Escape" and "Bounty Hunter's Pursuit" are thoroughly exciting fare while "Zam the Assassin" is a breathless 11-minute epic, with Williams exploring new ground, with Crouching Tiger, Hidden Dragon-esque percussion and, surprisingly, electric guitar. The forbidding atmosphere reaches a deliriously thrilling crescendo with "Return to Tatooine", "The Tusken Camp" and "Love Pledge and the Arena", a heart-rending collision of romance, action and inescapable dread, interwoven with a plethora of the series themes. When "The Imperial March" makes a full-blown appearance in "Confrontation with Count Dooku"--as a victorious fanfare, no less--it recalls the best heart-stopping moments of Williams' original Star Wars orchestrations.
Coming so far in to such a distinguished career, this is an impressive, memorable work that once again showcases Williams' virtuoso affinity with cinema and, beyond that, a magnificent fifth segment in his eventual Magnum Opus. --Danny Graydon
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The love theme "Across The Stars" is beautiful, haunting, sinister and chilling all at the same time. Also, Duel Of The Fates makes a welcome return in "Return to Tatooine", and the Imperial March makes a full blown appearance during the climax of the film in "Confrontation with Count Dooku and Finale".
An essential purchase, and a true masterpiece!
It suceeds in bringing some of the themes established in The Phantom Menace and interlinking them with music from the original Star Wars trilogy (including The Imperial March which provides a truly spine-tingling moment on the CD!). Not overlooking of course the superb new material that Williams has written, yet again pushing the musical bounderies of the Star Wars universe that he has created. The "Love Theme" that recurrs throughout the score is suitably melancholic and haunting and the "Chase through Coruscant" is edge-of-the-seat exciting, electric guitar riffs included!
If there is to be any criticism with this new score, it is the fact we all know that in due time there will be a double CD available with all the recorded material from Attack of the Clones. Why not release this in the first place Mr Lucas?!
Despite this, this soundtrack remains evidence that one of the finest film composers of our time is still on top form. My favourite track? It has to be the Confrontation with Count Dooku and Finale, if this alone doesn't make you want to see the new Star Wars film asap then you'd better check your pulse!
The opening credits everybody knows and they will for always be an institution of film music. Read more
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