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Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit instead, demonstrating a ballsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; The Maquis was Starfleet vs. Cardassians; Section 31 was a secret Starfleet group; The True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. Yet for all its constant bickering and espionage (even Bashir got to be James Bond!), there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem'Hadar foot soldiers' addiction to Ketracel White.
Perhaps Sisko summed up the real heart of things: "Bajor doesn't need a man, it needs a legend". A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine's first best destiny. --Paul Tonks
DS9 always stuck out as different. it wasn't afraid to put forward strong and sometimes outstanding episodes (Far Beyond The Stars). The characters evolved in a way never seen before, the relationships between them far more complex than others. They had to live with the conseuences of their actions the week before unlike Jean-Luc and his crew. And thats why people either loved or hated it. I loved it, and unless they make a series of the New Frontier books, it will always be my favorite. A fitting end to a wonderful series, and please Rick Berman... please please please please do a DS9 film!
Although the story was very good. Read more
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