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One moment a man sits on a suburban hill, gazing curiously at the stars. The next, he is whirling through the firmament, and perhaps the most remarkable of all science fiction journeys has begun.
Even Stapledon's other great work, LAST AND FIRST MEN, pales in ambition next to STAR MAKER, which presents nothing less than an entire imagined history of life in the universe, encompassing billions of years.
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Looking at the starry night from an English hillside, the unnamed narrator is snatched from his earthly body and flung through space at impossible acceleration, soon outstripping light. He visits other stars, sees other worlds and alien races, a gallery of SF marvels in documentary rather than story form. (Some of this now seems over-familiar, however fresh and new in 1937: the book drags a little here.) Fellow disembodied intelligences from the galactic community join our hero, sensing something beyond mere matter and energy:
The felt presence of the Star Maker remained unintelligible, even though it increasingly illuminated the cosmos, like the splendour of the unseen sun at dawn.
But the godlike Star Maker is not exactly God, as we see when the scope expands beyond one mere universe to show an endless cycle of creations, many of them being crude and "immature" products of this experimenter's hand. Further "mature" creations follow, foreshadowing the Ultimate Cosmos whose crystalline perfection is not comforting but terrifying. Star Maker's final unsparing evocation of the deep chill of infinity has even been compared to Dante. --David Langford --This text refers to an alternate Paperback edition.
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