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While the Standing documentary tells the Funk Brothers' story via interviews, stock footage and still photos, the accompanying soundtrack takes liberties, pairing the surviving musicians with contemporary pop, R&B and funk artists. Together, they faithfully recast Motown hits. What could have been a disaster--would you want to muck with "Ain't No Mountain High Enough"?--works beautifully, thanks both to the Brothers' chops and the thoughtful artist selection. While enlisting a soul brother like Ben Harper was a no-brainer, the inclusion of Joan Osborne was especially astute. After all, Osborne's deep connection to R&B is why her production of the Holmes Brothers' Speaking in Tongues disc was genius, and she acquits herself beautifully on "(Love Is Like a) Heat Wave" and "What Becomes of the Brokenhearted." Similarly, bass boss Meshell Ndegeocello gives Chaka Khan competition in the gospel diva department. Bootsy Collins, Gerald Levert and Montell Jordan also contribute. Motown purists may baulk at this concept, but they'd have to agree these readings are smart, respectful and very, very soulful. --Kim Hughes
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