Standard Operating Procedure [Blu-ray] [2009][Region Free]

It's impossible to talk about Standard Operating Procedure without referencing Taxi to the Dark Side. Fortunately, both documentaries are vital to any discussion about US military interrogation techniques. While Alex Gibney's Oscar winner uses the death of an Iraqi taxi driver as a framing device, director Errol Morris and writer Philip Gourevitch (We Wish to Inform You that Tomorrow We Will Be Killed with Our Families) examine the issue through visual evidence (they also collaborated on a book of the same name). While Gibney concentrates on Bhagram, Morris focuses on Abu Ghraib, but his self-described "non-fiction horror film," which features a dramatic Danny Elfman score and slow motion re-enactments, runs along two tracks. First, he aims to find out what happened at the infamous institution. Along with the photographs and video footage, he speaks to the guards and the brigadier general who oversaw their operations, including former army specialist Lynndie England, who has all the charm of Aileen Wuornos (so memorably immortalized in Monster). As in his Thin Blue Line, accounts contradict other accounts. In Morris's world, absolute truth doesn't exist-- it's up to viewers to decide which subjects seem most reliable. This leads to his parallel goal, which is to question the reliability of imagery. Photography was prohibited at Abu Ghraib, so he identifies the responsible parties, the reasoning behind their rule-breaking, and the stories behind the most incendiary pictures. If less emotionally engaging than Gibney's feature, Standard Operating Procedure is just as essential--and every bit as disturbing. --Kathleen C. Fennessy

Amazon.co.uk Review
It's impossible to talk about Standard Operating Procedure without referencing Taxi to the Dark Side. Fortunately, both documentaries are vital to any discussion about US military interrogation techniques. While Alex Gibney's Oscar winner uses the death of an Iraqi taxi driver as a framing device, director Errol Morris and writer Philip Gourevitch (We Wish to Inform You that Tomorrow We Will Be Killed with Our Families) examine the issue through visual evidence (they also collaborated on a book of the same name). While Gibney concentrates on Bhagram, Morris focuses on Abu Ghraib, but his self-described "non-fiction horror film," which features a dramatic Danny Elfman score and slow motion re-enactments, runs along two tracks. First, he aims to find out what happened at the infamous institution. Along with the photographs and video footage, he speaks to the guards and the brigadier general who oversaw their operations, including former army specialist Lynndie England, who has all the charm of Aileen Wuornos (so memorably immortalized in Monster). As in his Thin Blue Line, accounts contradict other accounts. In Morris's world, absolute truth doesn't exist-- it's up to viewers to decide which subjects seem most reliable. This leads to his parallel goal, which is to question the reliability of imagery. Photography was prohibited at Abu Ghraib, so he identifies the responsible parties, the reasoning behind their rule-breaking, and the stories behind the most incendiary pictures. If less emotionally engaging than Gibney's feature, Standard Operating Procedure is just as essential--and every bit as disturbing. --Kathleen C. Fennessy

Synopsis
Master filmmaker Errol Morris turns his keen eye to the Abu Ghraib prison scandal in this intense and provocative documentary. Using interviews with the soldiers that appeared in the now infamous torture photos, Morris strings their stories together with vivid re-enactments and striking digital technology for a wrenching look at the events at the prison. With his trademark straight-into-the-lens interview style, it is chilling to see the familiar faces of Lynndie England and Sabrina Harmon as they try to articulate their experiences. The lawlessness and confusion in the prison quickly become evident, and as their stories unfold, the film slowly strips away the many puzzling questions that surround the incidents, exposing a much larger truth about corruption within the US military, corruption that appears to reach far beyond the handful of soldiers that took the fall for the scandal.


Morris's re-enactments are extremely vivid, and often shot in a beautifully cinematic style. While these techniques make for riveting filmmaking, they are sometimes considered controversial by documentary purists, and some might criticize his detailed recreations of such deeply disturbing events. However, others might deem the re-enactments necessary to really bringing home the reality of what happened. Regardless of his methods, Morris does a masterly job of untangling such a complex, twisted story. He shines a glaring light on one of America's most shameful moments and, more importantly, exposes how little we truly know about our military's methods.