Stalking (Reaktion Books - Focus on Contemporary Issues)
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'Stalking, as a criminal offence and as an obsessive psychological state, has only recently been identified but it has a long and vivid history in literature and film from the schoolteacher Bradley Headstone in Dickens's Our Mutual Friend to Alex Forrest, the bunny boiler in Fatal Attraction. A fascinating mix of psychology, film studies, literature and cultural theory.' --The Times
'It's a new name for an old crime, and Nicol spends some illuminating portions of the book away from modern stalkers, slasher films and their inverted rom-com fellows, to dig into the 19th century. Particularly intriguing is his identification of a line of inheritance from the Baudelairean flaneur, to Poe's prototypical detective, to the modern-day stalker: all creatures of "the crowd", and of the modern metropolis, which enforce a combination of anonymity and intimacy, grist to the stalker's mill. City of Glass, indeed.' --The Guardian
'Historians define us by our obsessions, and if Bran Nicol is right, these troubled times will be known as the Age of Stalking. It doesn't quite compare with the Age of Enlightenment, alas. But then the narcissistic attitude Nicol targets in this short, sharp analysis of our deviant cultural psychology isn't much interested in the old profundities. Though a self-absorbed distortion of love is hardly new . . . Nicol builds a strong case that our era has aided and abetted a peculiar obsession to the point where it is accepted as an everyday phenomenon.' --Globe and Mail, Toronto
'Nicol offers a fascinating analysis of one our epoch's most ubiquitous and fascinating facets. What is clear is that regardless of how much we may speak of the phenomenon, and how ubiquitous a phenomenon we may think it, stalking is more ingrained in our culture than we think it, or wish it, to be.' --Culture Wars
'While stalkers have been around for centuries, it wasn't until the 1990s that the act was defined, pathologised and criminalised. Stalking is an illuminating study of why stalking became prominent at this time and the role culture has played in feeding this phenomenon. The rise of stalking, Bran Nicol suggests, is the product of a postmodern world rife with mixed messages about what constitutes acceptable behaviour.' --The Age, Melbourne
'It's a new name for an old crime, and Nicol spends some illuminating portions of the book away from modern stalkers, slasher films and their inverted rom-com fellows, to dig into the 19th century. Particularly intriguing is his identification of a line of inheritance from the Baudelairean flaneur, to Poe's prototypical detective, to the modern-day stalker: all creatures of "the crowd", and of the modern metropolis, which enforce a combination of anonymity and intimacy, grist to the stalker's mill. City of Glass, indeed.' --The Guardian
'Historians define us by our obsessions, and if Bran Nicol is right, these troubled times will be known as the Age of Stalking. It doesn't quite compare with the Age of Enlightenment, alas. But then the narcissistic attitude Nicol targets in this short, sharp analysis of our deviant cultural psychology isn't much interested in the old profundities. Though a self-absorbed distortion of love is hardly new . . . Nicol builds a strong case that our era has aided and abetted a peculiar obsession to the point where it is accepted as an everyday phenomenon.' --Globe and Mail, Toronto
'Nicol offers a fascinating analysis of one our epoch's most ubiquitous and fascinating facets. What is clear is that regardless of how much we may speak of the phenomenon, and how ubiquitous a phenomenon we may think it, stalking is more ingrained in our culture than we think it, or wish it, to be.' --Culture Wars
'While stalkers have been around for centuries, it wasn't until the 1990s that the act was defined, pathologised and criminalised. Stalking is an illuminating study of why stalking became prominent at this time and the role culture has played in feeding this phenomenon. The rise of stalking, Bran Nicol suggests, is the product of a postmodern world rife with mixed messages about what constitutes acceptable behaviour.' --The Age, Melbourne
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Stalking is very real and very pervasive. In recent years, more and more people have been harassed by strangers or persecuted by ex-lovers. Almost any celebrity you care to mention has been stalked. Numerous films and novels revolve around the figure of the stalker. But, though seemingly everywhere, it is only since the 1990s that the term stalking' has begun to be widely used. This unprecedented study reveals the cultural dimension of this obsessive behaviour and examines stalking in the context of contemporary media-saturated culture. Moving from novels of previous historical periods such as Richardson's "Clarissa" and Dickens' "Our Mutual Friend", to classic Hollywood cinema such as "Play Misty For Me" and "Taxi Driver", to more recent stalking films and novels, "Fatal Attraction", "One Hour Photo" and "Enduring Love", Nicol skilfully shows how stalking has pervaded human society for over two hundred years. He also considers famous cases of celebrity stalking such as Jodie Foster, John Lennon, Monica Seles and Jill Dando and related issues such as the internet and TV shows. By examining the depiction of stalking in books, films and the news, and drawing on forensic psychology, psychoanalysis and cultural theory, this book reveals how fears and desires are expressed in contemporary culture. "Stalking" offers a unique analysis and history for anyone who wants to make sense of this contemporary phenomenon.
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Stalking is, paradoxically, both a new and an old phenomenon. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
Stalking is, paradoxically, both a new and an old phenomenon. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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2 of 3 people found the following review helpful:
3.0 out of 5 stars
He's behind you. Oh, yes he is.,
By monica (connemara) - See all my reviews
This review is from: Stalking (FOCI) (Paperback)
3 stars? 4 stars? I dunno. In any case don't come to this book hoping for lurid tales of stalking. Stalking would probably be classified under culture studies: Nicol discusses the subject by referring to psychoanalytic ideas, legal issues, history,sociology, literature, personal accounts, and film. (He even refers to that great Alan Partidge episode.) With so broad a range of references he's able to suggest causes and connections that mightn't have occurred to the reader, e.g. a stalker's behaviour arising partly from a certain cultural confusion, or the likeness between a Poe character, the flaneur, journalists, and stalkers.
I've yet to read a Reaktion book that wasn't intelligent, thoughtful, very interesting, and at least slightly quirky. I would have read this one happily had it been much longer than it is. Great cover photo, incidentally--very creepy indeed.
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