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Amazon.co.uk Review
A collaborative effort with an off-the-wall theme: Stainless Style finds Super Furry Animals frontman Gruff Rhys and Los Angeles producer Boom Bip--aka Neon Neon--paying tribute to the life of maverick car manufacturer John DeLorean, designer of the vehicle you saw crossing the event horizon in Back to the Future. Sonically, then, we’re in the '80s, Boom Bip layering ticking drum machines and vintage synthesisers to craft a windswept backdrop of cold metal, sleek electronics and polished chrome. This is a pop record, too though: "I Told Her on Alderaan" is a gleaming tribute to the excesses of new romantic pop, from chugging verse to soaring chorus, while "Raquel", an opulent disco cut complete with one-finger keyboard melodies, details DeLorean’s real-life romance with Raquel Welsh. While Rhys’ voice has never exactly been tailor-made for straining at the high notes, he handles the theme with the requisite mix of wit and pathos, and where the storyline demands, he’s joined by guests including Har Mar Superstar and rappers Spank Rock and Yo Majesty, who whip "Sweat Shop" into lusty, booty-bumping electro. Converting DeLorean’s life story into sound probably sounded like an idea as eccentric as its subject--but against all the odds, Stainless Style is a concept album that works. --Louis Pattison
Review
The alchemists, Gruff Rhys, lead singer and guitarist of Super Furry Animals, and Bryan Hollon, aka Boom Bip, Los Angeles based industrial dance producer and musician, have teamed up to create gold with their debut album Stainless Style. The couple first worked together on Blue Eyed in the Red Room, Bip's 2005 album on the track Do's and Don'ts (also released as a 7"), and from there a plan was hatched for a future album. Hollon, who came to the attention of John Peel and Gilles Peterson in the early 2000s for his unique brand of electronica and hip-hop is not shy of musical collaborations having remixed a number of his fellow contemporaries including Mogwai and Boards of Canada. In the latest delivery a host of artists have been drafted in including Har Mar Superstar, Fabrizio Moretti, drummer of The Strokes, Yo Majesty, Spank Rock and The Magic Numbers.
Stainless Style is a concept album inspired by the American playboy engineer John Delorean who developed the DeLorean DMC-12 sports car, most famously used in the film, Back To The Future (1985). The 80s car theme runs coherently throughout with some highly provocative artwork looking like it came straight out of The Face. This is certainly an album du jour. Neon Theme, the first track, sounds suspiciously like something out of Garth Marenghi's Darkplace and you would be forgiven for wondering if this was a weird sci-fi joke, but it's worth continuing. The second track Dream Cars comes in with a dirty electro beat, influenced by edgy '80s pop. Trick For Treat is an oddball mix of the smooth vocals of Rhys, rap from Spank Rock, and the enchanting sound of Eastern European gypsy violin cementing a harmonious whole. Rhys' influence bubbles through more fully in Steel Your Girl; a fluid indie track that will have you humming for days.
Appealing to electro, pop, indie, and hip-hop fans alike Stainless Style slips effortlessly between a vast array of musical camps, paying homage to the intuitive capabilities of Rhys and Hollon. It's a worthy collaboration that constantly gives evidence of two minds working on very different frequencies and finds a natural comparison in Damon Albarn's The Good, The Bad, And The Queen project, where afrobeat, punk and space rock seemed such easy bedfellows. The strength of this particular creation lies in the same playful interpretation of different genres. A post-modern wonder, as sleek as its subject matter. --Jessica Braham
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Most Helpful Customer Reviews
9 of 10 people found the following review helpful:
5.0 out of 5 stars
My Own Life On Mars Moment,
By
This review is from: Stainless Style (Audio CD)
Now then folks, I'm of a certain age - early forties is all I'll admit to - and I like my music aged, preferably recorded sometime between 1978 and December 1989.I was listening to Marc Radcliffe on Radio 6 in the bath like you do and he played this track...it was fantastic...I stopped soaping my duckie and thought to myself "hold on, I must have missed that first time around, I wonder who it is?" Well, you could have knocked me down with a bottle of Radox when he said it was the new single by a band called Neon Neon. Intrigued, I checked Amazon and found that there was also an album. I bought it and I love it. Some tracks are a little throwaway - I'm not to keen on the rap one - but the rest of the album is fantastic and suits me right down to the ground. "Dream cars" is fabulous as is the previous single "Raquel", but my favourite is still that new single "I Told Her On Alderaan". Most tracks sound like they should be on the soundtrack to Back To The Future. And, ladies and gentlemen, that is a GOOD thing.
2 of 2 people found the following review helpful:
5.0 out of 5 stars
This is flipping wonderful!,
By Tartychops (UK) - See all my reviews
This review is from: Stainless Style (Audio CD)
In a time when a lot of new music seems to be completely devoid of soul, melodies or meaning this album comes along, kicks you in the head and makes you remember just how beautiful and life-affirming music can be.It's a concept album about the life of the carmaker John DeLorean (he of the famous Back to the Future car), but quite frankly the subject doesn't matter at all when the music is this good, and I triple-guarantee this album will put a smile on your face and add an extra step to your walk. The opening track reminds me of early 80s bombast so much and if I could fill my living room with dry ice and lasers to accompany it I would at the drop of a hat. There's also a slight Deus Ex theme feel to it too which appeals greatly. Boxers should enter their chosen arena to this song! Extreme coolness awaits, surely. And then you get slapped around the head with the staccato rhythm and a melody surely penned by angels: Dream Cars. You wouldn't think this next song was about a mere hunk of metal and plastic but something more elevated and important. I can't help but smile like a loon and dance in my chair upon hearing this song and for God's sake, it's only track two! This makes you realise that a lot of songs coming out now forget the essentials such as pacing and melody. This has it in spades and is such an uplifting song which leads me on to track three... Oh God I want to leap out of my chair now and punch the sky, never mind kiss it! Such a simple beat, a nice guitar sound and subtle keyboards backtracking Gruff's singing and then we get the chorus and you can't help but be moved. It's a classic pop song in every regard and beautifully constructed. I almost expected it to finish with an explosion instead of fading out, but maybe that's just me. Raquel starts with a crazy Vince-Clarke-esque 80s beat and builds just as you'd expect a song before 1985 to build before Gruff's super melodic vocals kick in. Such a great mix here and I can't imagine a better ode to Raquel Welch. Trick For Treat, track 5 has the capacity to knock you off your feet. It starts with a plaintive lyric and then after the pause, whoa, what the heck is this? Falsetto rapping? Sounds odd but intriguing, then a more traditional sound. This is one of the most progressive and impressive tracks on the album with an infectious chorus that you can't help but join in with. It's channelling a bit of Missy Elliott in its mix but you have to love that line - 'She got me dreaming like a Michigan boy, in Hollywood'. OK, five tracks in, this is pretty good. What next? Oh dear God, Steel Your Girl? This is a cross between The Smiths (that guitar is so Johnny Marr, surely and Gruff could be Morrissey here) and an explosion in a pop factory. There's such a feeling of loss and hope, helped along with soaring keyboards and backing vocals that you can't help but be moved by. This is a wonderful song that I could play every day until I die without becoming bored of it. Next up is Cate le Bon's singing of I Lust U and it's such a tight, wonderful pop song. Boom Bip's, er, bipping (how else do you describe that noise?) through this song is so standout and works as a wonderful counterpoint to the main lyrics that this is quite possibly the best track on the album for me. It's short, to the point, superb. Track 8, Sweat Shop is such an interesting song and a change in style from what you've heard previously, yet it fits in quite well with the theme of the album. I don't even know how to begin to describe this song. It's sexy, lively and all about the rhythm with a consistent, heavy bass to boot. Belfast is track 9 and is such a powerful statement of a song. After the slow end of the previous song this comes out and kicks you square in the jaw with its wonderful synth lead and reminds you what wonderful sounds the 80s could produce. Soaring keyboards accompany Gruff's lament to the failed factory, comparing DeLorean's reign there to the USA's in Vietnam. Slightly OTT, but the singing is slightly subdued compared to the synth and works so well and leads brilliantly in to the next one... ... which is all about the excess of the 80s. I doubt I'll ever get tired of track 10, Michael Douglas. It's such a brilliant, dynamic, superbly-crafted track that has it all with an insanely catchy chorus that you can't help singing along to. Track 11, Luxury Pool is a rap track which is quite possibly the best thing I've heard this year. The backing track to the vocal is so unique and fits incredibly well with it - maybe it will get you famous. There's a bit of a traditional Egyptian synth sound until the break and then it reminds me so much of 8-bit computer sounds before refreshing to the main theme for the last 50 seconds or so. Truly wonderful and really very unique. I mean, come on, who else is doing anything at all like this nowadays? And then the final track, an inspiring sing-along that closes out the album on an uplifting, though sad, sparkly note. The thing is, though, that I'm left wanting so much more. 43 minutes is all well and good but this is without doubt the best album I've heard all year and now I want more! I hope I can see them live in a couple of months time but this album will live with me for a long, long time. If you're prevaricating, don't. Buy this today, it's wonderful, upliftingly wonderful!
1 of 1 people found the following review helpful:
4.0 out of 5 stars
Gull wing Greatness.....,
By DOGG "DOGG" (World) - See all my reviews
This review is from: Stainless Style (Audio CD)
Gruff Rhys one of the brightest indie-pop exponents of the last 12 years has produced another gem with this 12 track concept-album about US car legend John Delorean.With Yank twiddler Boom Bip sorting out the music,Rhys moulds his impressive vocal range around some memorable tunes,varying from indie-pop to eery disco-rock. "Michael Douglas" and "Belfast" are modern Noughties music at its best,while "I Lust U" should be a single and top of the charts,its that good. Sadly, the subject matter is possibly too strange for the bland chart appetites of the UK but this is a fascinating album, a clash of styles and cultures with something to learn too. (i didnt know that the Delorean cars were built in Belfast for a short time). Buy this...its a work of art.
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