Clarion Calhoun, a pop star past her sell-by date, becomes facially disfigured while making her acting debut in Bath Theatre Royal's production of Isherwood's 'I am a Camera'. Peter Diamond is asked to investigate the case and when further unfortunate events occur (I don't want to give too much away here!) the investigation intensifies. All the while, Diamond is suffering from a deep-rooted phobia of entering the theatre. Why is this, and will it be explained at the book's conclusion? Has Peter Lovesey ever not tied-up a loose end? Regular readers of his will know the answer to that one!
There are murders (obviously!), but once again, when the perpetrator is unmasked, we realise that Lovesey has put the clues for us in plain sight so we can work out their identity - if we're clever enough. Except of course, we rarely, if ever are - because he's so cunning and ingenious in his plotting. What seems an inconsequential event, thought or utterance during the course of the narrative later proves to be of much greater importance; but it's only in hindsight that we realise this.
There's a good cast of characters in this one, and Lovesey laces his plot nicely with theatre lore, and it's also very amusing at times. However, the curmudgeonly, but not-really-all-that-bad, Peter Diamond, doesn't seem to have aged in real time since the publication of 'The Last Detective' in 1991 - the first, brilliant entry in the series. Had he done so, he'd have retired from the force quite a few years ago. But does it really matter?: the character is so well-drawn, the series so good, that we'll forgive him this little inconsistency. After all, Ed McBain's detectives only aged around three years in the 87th precinct stories - and they were published over a period of around 50 years!
'Stagestruck' should prove to be of interest to all those who read traditional whodunits, as any new Lovesey novel is a real event. It's not as edgy as some of the other Diamond books (especially the early ones) and the plot is maybe a bit thinner, so it's not up there with his very best. However, I still greatly enjoyed it, and as another reviewer has commented, even an average book by Lovesey is still a bl**dy good read!
The author is one of my favourite writers in any genre. Why? Because he's so effortlessly entertaining and has produced some of the most brilliant plots and stunning twists of anyone writing detective or mystery fiction. And like that other septuagenarian, Ruth Rendell, he's still capable of writing fabulous stuff and surprising us even now. I salute the man and greatly look forward to what he's going to produce in the years to come.