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St. Vincent [Digipak]

82 customer reviews

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Product details

  • Audio CD (24 Feb. 2014)
  • Number of Discs: 1
  • Label: Caroline International
  • ASIN: B00H783028
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (82 customer reviews)
  • Amazon Bestsellers Rank: 54,298 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
  1. Rattlesnake 3:34£0.99  Buy MP3 
  2. Birth In Reverse 3:15£0.59  Buy MP3 
  3. Prince Johnny 4:35£0.99  Buy MP3 
  4. Huey Newton 4:37£0.99  Buy MP3 
  5. Digital Witness 3:21£0.99  Buy MP3 
  6. I Prefer Your Love 3:35£0.99  Buy MP3 
  7. Regret 3:21£0.99  Buy MP3 
  8. Bring Me Your Loves 3:14£0.99  Buy MP3 
  9. Psychopath 3:32£0.99  Buy MP3 
10. Every Tear Disappears 3:15£0.99  Buy MP3 
11. Severed Crossed Fingers 3:41£0.99  Buy MP3 

Product Description

St. Vincent—aka Annie Clark—will release her self-titled fourth album. The record's 11 tracks showcase Clark at her most assured and gripping, as she meshes distorted, aggressive electric guitars and ethereal vocal and synthesizer arrangements on top of an infectious rhythm section and relentless percussion. The album follows her last solo release, 2011's Strange Mercy, which was called "one of the year's best" by the New York Times and "something to behold" by Pitchfork. The record cemented her status as one of her generation's most fearsome and inventive guitarists, In 2012, she teamed-up with David Byrne to release the Love This Giant album to critical acclaim

Customer Reviews

4.5 out of 5 stars

Most Helpful Customer Reviews

5 of 5 people found the following review helpful By Sven Collins on 4 Jun. 2014
Format: Audio CD
I can't compare this album to previous works by the artist as I only came across St. Vincent recently while they performed on Jools Holland in the UK. The songs were great and really stood out on the show and the lead singer had a great stage presence and is obviously a great and charismatic performer.

I only got around to getting the album this week and think it's fantastic - it's rare you love nearly every song on an album upon the first listen when you haven't heard the artist before but I enjoyed it from start to finish and played it again straight away. I really like the vocal and it works perfectly on all the songs that range from sexy & quirky electronica to funky indie with some brilliant guitar and chunky bass, as well as a couple of slower tracks that work just as well. There is some really good songwriting on this album with interesting and quirky lyrics.

Digital Witness is probably my favorite track on the album at the moment - every person I've played it to has liked it and asked who it is.

If you're in doubt then watch some videos on Youtube - I will definitely be getting more albums from this artist in the future!
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4 of 4 people found the following review helpful By Mr. P. C. Ewens on 10 Feb. 2015
Format: Audio CD
I am hooked on Annie Clark and her strange songwriting. Also, on previous albums her guitar playing is equally impressive (check out 'Now Now' from her first album 'Marry Me' and 'Surgeon' from 2011's Strange Mercy album) although on this album it's not as prominent. I like the whole style of her songs, they are always intricate and come from a dystopian perspective. Undoubtedly she has learned a great deal from collaborator David Byrne, and probably from the recently returned Bowie, who surely must be one of her main inspirations. Left field song writing doesn't come any weirder!
I think that all her previous albums have had different styles to a certain extent, the first having more traditional songwriting forms, then the second getting a lot more production and diversity of sounds. She really came into her own with 'Strange Mercy', her third album, where many of the songs were anthemic, especially 'Cheerleader', 'Strange Mercies' itself, and 'Surgeon'...
Her vocals are always arresting, on this album she gives her best performance on 'Birth In Reverse', but she's fantastic on 'Digital Witness' and 'Every Tear Dissapears' as well. it's not just the main vocal mind you, she does a fantastic range of backing vocals too, sometimes reminiscent of the great Joni Mitchell on albums like Hissing Of Summer Lawns and Hejira, they are so unique and unusual.
The only reason I give this album four stars is that it's maybe just a little bit too dominated by keyboards and processed beats. I think her live band sound is so brilliant, and I think the songs sound better live! I hope she goes back to a more organic sound for future releases....
There isn't a better left-field singer songwriter in the world than Annie though, that's for sure. she wipes the floor with Madonna and the rest of those over-hyped supercommercial no-brainers.
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3 of 3 people found the following review helpful By Ms. T. Daniels on 17 Oct. 2014
Format: Audio CD
St Vincent is an artist that has been much adored by her fans for a considerable amount of time, with many accolades being bestowed upon her. This includes an endless list of publications naming her previous solo effort, Strange Mercy, album of year and a prestigious American Ingenuity Award last year. How exactly could she follow that and collaboration with David Byrne? In a way that only Annie Clark can.

The eccentricity that we have come to know and love is still prevalent on St Vincent, but everything is so tight and thoroughly thought out that it just feels right. You could safely call the album art rock, but there is no hint of pretention. Everything is laid out, yet still with a shroud of mystery about it all. Clark can very easily bounce from the vulnerable to the darker side of things, with an emphasis of love and self reflection in the 21st Century being foremost on this self-titled effort.

“I Prefer Your Love” is a late night jam that floats on an air of a forgotten dreamy r’n’b track, with a little hook that you’ll find has buried itself deep inside your brain. Consisting of only a few notes, the hook has such an understated impact. It’s these tender moments that really display to versatility that Ms. Clark has. For every wild, discordant solo that teeters on the side of disturbing there is a moment that you fall for the delicate release of emotion.

There are some tracks on the album that you can truly groove to such as “Bring Me Your Loves” with its sharp synth lines and shuffled beat. It’s a step in a slightly different direction.
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22 of 24 people found the following review helpful By Christian R. Mole on 27 Feb. 2014
Format: Audio CD Verified Purchase
St Vincent had somehow completely passed me by until I heard Digital Witness on Six Radio. I pre-ordered the album on the strength of that song and wasn't disappointed. Very varied collection of songs ranging from Prince style funk to (near) balladry but there isn't a duff track and there is a boundless energy throughout. Highly recommended.
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9 of 10 people found the following review helpful By Red on Black TOP 50 REVIEWERVINE VOICE on 24 Feb. 2014
Format: Audio CD
4.5 Stars

Try to write a review of the music of St Vincent aka Annie Clark without using the words strange, quirky, eccentric or experimental. Not an easy task since Clark has been a proud pusher of boundaries since the release of her solo debut album "Marry Me" in 2007. She has also in that time struck up a useful partnership with the "Head" Talking Head David Byrne and if 2012's joint effort "Love this Giant" was quite what it promised then Clarks self titled fourth album sets the record straight.

St Vincent is the complete album that Ms Clark has been promising the over the past seven years. There have been occasions in her previous work that it has been a little to clever with songs that sound that they need more work or a slight injection of melody. It is pleasing to report therefore that she has shown more restraint here yet at the same time produced an album that could only be an St Vincent production. The ingenuity of her arrangements remains but somehow more shape and order is present. The powerhouse funky opener "Rattlesnakes" has a staccato synth line and breathy vocals by Clark and is an ecstatic start. The angular "Birth in reverse" is not one of the stronger tracks here but the track "Prince Johnny" that follows is a joy. It is almost a conventional ballad for Clark infused with brilliant lyrics not least the observation "Remember the time we went and snorted/A piece of the Berlin wall that you'd extorted/And we'd had such a laugh of it/Prostrate on my carpet". From here on the album gets better and better. "Huey Newton" starts like a slow trip hop song, only to introduce a nasty powered monster riff at around 3 minutes.
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