As a point of reference, I have read all of Richler's major works and a few of his early novellas. This was written after Richler's sexual obsession in his British phase and he tells an interesting story about a young film director from Montreal who has moved to Britain The novel follows from his wildly creative novel Cocksure which as story immersed in sexual obsession. This is a far tamer novel and it is longer and more substantial but less creative. Overall, it is among his best efforts.
Following on from the very liberated Cocksure, we see a much more conventional and down to earth Richler who has attempted to integrate British making with biographical elements from his own youth.
Modecai Richler (1931 to 2001) grew up in Montreal and that city is the setting for many of his stories - but not all. Many of his novels are about Jews living in Canada and Britain post WWII.
He is best known for his tales of life in and around St. Urbain Street. That is an area of three story buildings or walk up row houses located just east of the mountain in Montreal, and north of the commercial center of the city. At one time this was the center of Jewish immigrant life. Many Jews coming to Montreal started there but then moved on to Outrement, Hamstead, and other districts. His father was a scrap dealer and he graduated from a heavily Jewish high school, Baron Byng High School, which has other famous alumni including William Shatner of Star Trek fame. Some of the local establishments such as Schwartz's Deli on St. Laurent are still in business. He uses much of those biographical experiences in the book.
His break out novel is the present novel Duddy Kravitz which is still a great read whether you have seen the movie or not. Also, I like his last book, Barney's Vision, which is probably his most balanced and best written piece of work. That novel lacks the edge and drama of Duddy Kravitz. Along the way, he experimented with different themes and the use of sex in the plots, and usually he did that with a lot of humor as in Cocksure.
This book is among his best works and there must be a few parallels with Richter's own life. It is about a young and poorly educated Jewish boy (Richler never finished university himself and moved to Britain) who struggles in the Canadian TV business starting off as a stage hand and then eventually becoming a London based movie director. The protagonist, Jacob Hersh, is from the St. Urbain area of Montreal, and he has an unusual relation with his cousin Joey - who is the "horseman." Joey appears only once in the book when he visits Montreal, and spends most of his time traveling the world doing all sort of glamorous things from being a soldier, to actor, to baseball player. In reality, Joey is a bit of a con man but he is held in awe by Jacob.
This is an interesting story that gets better as we reach the end of the book.
Many of his critics claim that he re-cycles his characters and deals only with one topic, but in general his books are far from the predictable and this book is another example. That being said, Duddy Kravitz and even his father max appear in the novel, and Duddy more than once.
This is a good read which leaves the reader satisfied.