2 of 2 people found the following review helpful:
4.0 out of 5 stars
Very different either to the movie or other Bond novels, 5 Jun 2011
This is quite unlike any other Bond book I have read. or a start it is written in the first person, from the perspective of Vivienne, a Canadian girl livening initially in London, but who embarks on a tour of North America. Bond plays only a fairly small part in the book, surprisingly so. Like most of Flemings writing it is quite decorative and lacks nothing in pace. It is quite surprising that Fleming, famed as a misogynist took on this book and it stands up really quote well and is far less patronising than one might have feared of expected. Well worth a read.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
A Very Different Bond Novel, 7 Jun 2010
If 'The Spy Who Loved Me' (TSWLM) was the first on Ian Fleming's James Bond novels that someone read they might be forgiven for wondering a.) how a book of this sort could have inspired the movies adaptations that followed and b.) where all the espionage and adventure they were expecting had gone. There's also a good chance that they'd never pick up another Bond novel out of sheer disappointment, so if you've never read any of Fleming's books before (or have only picked up one or two) I would not recommend starting with TSWLM. Go back to the beginning as I did and start with Casino Royale. Its a worthwhile exercise.
For those familiar with Fleming's books TSWLM will still come as a surprise, as it is most definitely not a normal Bond novel. In fact its not really a novel, more a literary experiment on the part of the author masquerading as a glorified short story. Sticking to a three act structure the book is narrated by a young Canadian woman, Viv Michel, who in Act One recounts how she went from a comfortable upbringing in Montreal, via finishing school and a career in journalism in London, to being holed up in a deserted motel in Adrionacks in the US during a severe thunderstorm. Act Two then centres on the arrival of two gangsters with nefarious motives at the motel and how they go from initially unsettling to threatening and eventually attacking the vulnerable Viv. Only in Act Three does James Bond finally arrive on the scene and effect a rescue of Viv.
In almost every respect TSWLM is unlike any other Bond novel. Along with the narration from Viv throughout and the lack of James Bond for two thirds of the book's length there's also no espionage for Bond to undertake even once he does appear (his arrival on the scene being entirely coincidental). His role is relegated to that of the mysterious stranger riding in to protect and rescue the damsel in distress and the likes of SMERSH & SPECTRE are restricted to name checks in tale Bond recounts to Viv during a lull in proceedings. The two gangsters, Horror & Sluggsy, are evil and physically ugly specimens like many Bond villains and are reminiscent of the hoodlums from
Diamonds are Forever (Penguin Viking Lit Fiction) &
Goldfinger (Penguin Viking Lit Fiction), but they are also less exotic and their motivations (arson and insurance fraud) are far more pedestrian. In many ways TSWLM feels more like a traditional noir crime novel which just happens to feature James Bond.
This almost complete divergence from the normal 'Bond' template is bound to leave some fans wholly disatisfied. Despite some reservations going in however, I found that I really enjoyed this complete change of pace from the other adventures. There are the usual observations to be made about Fleming's anachronistic attitudes to certain things (written in 1962 TSWLM is now very much a period piece) but its also good to see a writer trying something new and different with a familiar character and for the most part pulling it off. The book's brevity helps as the changes in pace and subject matter don't overstay their welcome, and in some ways it feels closest in style to the short stories from
For Your Eyes Only (Penguin Viking Lit Fiction), but Fleming nails the character of Viv quite well, avoiding making her a completely helpless damsel, and there is palpable sense of menace to events during the second act. The final act is more tradition Bond action, but stripped of any world changing significance or scale events on the page feel raw and have greater punch.
All in all TSWLM is worth dipping into. As long you don't expect the usual mix of evil masterminds, world changing plots and high adventure you will not be disappointed and if you're a fan of Fleming's spare prose, characters, sense of place and feel for action there is much in the book that will entertain.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Girl Interrupted, 6 Oct 2001
Imagine being alone, totally alone, in a remote location during a storm, when all of a sudden, cold, merciless, danger, comes-a-knocking at your door.
This is the situation facing Vivienne Michel, a lovely French-Canadian motel receptionist at the Dreamy Pines Motor Court in upstate New York when she is paid a visit by danger in the shape of two loathesome gangsters. In 'Horror' Horowitz and 'Sluggsy' Morant, Fleming conjures up two of his more hideously thuggish creations in this gem of a tale.
The plot of this novel is basically one of a 'damsel in distress' as Vivienne, who narrates the story throughout, has to confront her worst
nightmares in the shape of the motel owners bully boys who, for some reason, seem determined to hurt her and then kill her. The 'knight in shining armour' is of course, 'you know who,' who doesn't actually show up until two-thirds of the way through the book. However when Vivienne rather fearfully opens the door to be confronted by a man who was, 'good-looking, in a dark, rather cruel way...' We know that our hero has arrived.
This is a Bond novel totally unlike any other I have ever read. It is not concerned with espionage (although Bond does tend to let his mouth run away with itself when explaining how he turned up at the motel), it does not pit Bond against some fiendish mastermind, it is not set in a glamorous location (an upstate New York forest ?) and it does not involve a female noted for looking after herself. But despite all this, it is a glorious examination of fear, and of how love can grow because of that fear. It is also compelling !
Indeed we learn a lot about Vivienne Michel. The first half of the book is mostly concerned with her life-story of broken hearts and shattered dreams. Her vulnerability, honesty and determination to stand up for herself make her
one of the most endearing of female characters seen in a Bond novel. No streefighters instinct like Pussy Galore, no self-assured confidence like
Domino Vitali, this lady is bruised, frightened and in need of a friend.
Bond is his usual, composed and confident self. His quick appraisal of Vivienne's situation is all he needs to start formulating a plan to rescue this lady from the dragons lair. However, we also see an uncharacterstic sloppiness from Bond too. He doesn't slip up once, but twice, the second mistake is so glaring that any Bond fan, familiar with Bond's usual thoroughness, would be puzzled as to why he didn't take basic precautions to prevent disaster. 'M' would have been appalled at some of his amateurish mistakes.
This book incidentally has no similarity whatever to the film of the same name. The two are completely different animals. In fairness it would be hard to make this book into a film, but it would make a truly compelling one hour TV special.
If I had to change one thing it would be the ending of the book. A little too long is spent listening to Captain Stonors homespun philosophy on 'friends' and 'enemies' for my liking, although Fleming is merely trying to show the depth of Vivienne's feelings for Bond. In fact, Fleming in this book demonstrates (especially in his detailing in the first person Vivienne's life
prior to 'Them') his ability to think and feel like a woman. The early part of the novel is essentially a work of romantic fiction, with Vivienne's loves and heartbreaks detailed in a very sensitive and basically 'feminine' way. We already knew that Fleming was an accomplished author of the ultimate mans novel, but here
he demonstrates his grasp of the world viewed through a woman's eyes as well. Remarkable !
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