So just why haven't many other rock and metal bands chosen to have two drummers? Is it because traditionally drummers have been seen as the black sheep of the band, the `crazy ones' liable to over indulge and lose the plot at any given opportunity? Having two just doubles the trouble! Or is it just that musically it is so hard to pull off effectively - the rhythm section is already the backbone of a group's tightness, why would you willingly choose to add another element of complexity to it? Perhaps it is just that there is an established band dynamic and people have accepted this without questioning? Who knows - the only question we need to ask here is `Does it work for Kylesa'?
`Spiral Shadow' has served as my introduction to the band and I've found it mightily impressive. When a band is described as having prog influences those alarm bells can start ringing, especially with slower paced rock or metal bands (great when it works - mind numbing when it doesn't). I needn't have worried - as the other reviewer states this album is actually quite conventional, even a bit pop in places. Most of the songs come in at under four minutes and follow pretty standard compositional structures. This isn't a bad thing as Kylesa are masters of detail - drums and vocals both double up at times, little time changes and fills pop up here and there, and instrumental sections add some welcome variety.
Kylesa are quite the sonic chameleons and have taken elements from stoner, metal, hardcore, prog and alternative rock and mixed them together in a satisfyingly unique way. The dual drumming certainly helps, where things could get ponderous and one paced the drums add a certain increased nuance and sprightliness that other bands in this type of genre frequently miss out on. Other winning elements are the female vocals, which are well used, and the pacing of the album as a whole, which is spot on.
There are some really strong songs to be found here, the title track is an obvious standout with some of the most experimental drumming to the fore, `To Forget' has probably the catchiest riff but is no mere grinder with some gentle instrumentation and female vocals in the verses, and `Distance Closing In' is desert stoner trippiness rudely interrupted by a tribal chorus of real intensity. The more straightforwardly rocking material is excellent too with the focused brutality of the opening `Tired Climb', breakneck pace switching `Cheating Synergy' and the anthemic `Don't Look Back' really adding an edge to the first half of the disc.
`Spiral Shadow' should hold a lot of appeal for a hell of a lot of people - fans of bands ranging from Kyuss to Tool, Baroness to Black Mountain, The Mars Volta to Clutch, Monster Magnet to Mastodon, should all find something to interest them here. Who knows, if Kylesa can keep producing music of this quality perhaps we'll all have a new favourite band to file next to those other `Ky...' masters!