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Spike and Co [Audiobook] [Audio CD]

Graham McCann
4.5 out of 5 stars  See all reviews (8 customer reviews)

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Book Description

5 Oct 2006
This is the story of how four people, grouped together inside a set of offices five floors above a greengrocer’s shop on Shepherd’s Bush Green in West London, launched a golden age of British comedy.

On any weekday morning, if you dare to clamber over the crates of fruit and veg that the greengrocer has allowed to pile up outside on the pavement, climb the five flights up the dangerously rickety staircase and creep inside the entrance to Associated London Scripts, you will find Milligan, Sykes, Galton & Simpson, shaping the latest shows, swapping the odd story and searching for a funnier line. Spike Milligan is in one office, slumped over his typewriter, tapping away at the next script for The Goons. Eric Sykes is seated at his desk inside the next office, writing out in longhand another routine for Frankie Howerd or the cast of Educating Archie. Galton and Simpson are in their own office, plotting the next half hour for Tony Hancock.

Together, this eclectic bunch, and their bizarre office block, were responsible for a golden age in British comedy, which included – The Goons, Hancock’s Half Hour, Sykes, Steptoe and Son, Comedy Playhouse, The Frankie Howerd Show, Beyond Our Ken, Round the Horn, The Arthur Haynes Show, The Army Game, Bootsie and Snudge, That Was The Week That Was, and Till Death Us Do Part, to name but a few. HOUSE OF FUN is their incredible story.

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Product details

  • Audio CD
  • Publisher: Hodder & Stoughton (5 Oct 2006)
  • Language: English
  • ISBN-10: 1844563111
  • ISBN-13: 978-1844563111
  • Product Dimensions: 1 x 12.5 x 14.2 cm
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Bestsellers Rank: 1,950,441 in Books (See Top 100 in Books)

More About the Author

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Product Description

Review

Praise for FRANKIE HOWERD by Graham McCann:


'Never has the sheer awkwardness of the human condition been so comically, or beautifully, conveyed.'

(Daily Mail )

'As with his masterly account of Dad's Army, this is an objective and scrupulously researched study, unlikely to be superseded.'

 

(Roger Lewis, Spectator )

'McCann's lively biography is rooted in those post-music-hall days, his portrait of the period is vivid.'

(Alex Clark, Sunday Times )

About the Author

Graham McCann is the most admired entertainment writer at work in the UK today. He is the critically acclaimed and best-selling author of books on Dad's Army, Frankie Howerd, Morecambe & Wise and Cary Grant. He recently edited THE ESSENTIAL DAVE ALLEN for Hodder & Stoughton (2005).

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Customer Reviews

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Most Helpful Customer Reviews
10 of 10 people found the following review helpful
5.0 out of 5 stars The Writers Have Their Day 22 Nov 2006
Format:Hardcover
One day in the middle of the 1950s, the funniest writers in Great Britain dreamed up the idea of a single place where humour could be created without any interference from bureaucrats or bosses. Associated London Scripts ('ALS') was the actual realisation of this dream. Eric Sykes had an office there. So did Spike Milligan. So did Galton and Simpson, and Johnny Speight, and John Antrobus, and Barry Took, and John Junkin, and Terry Nation, and many others. Such characters as Bluebottle, Eccles, Anthony Hancock, Eric and Hattie, Harold and Albert Steptoe, Alf Garnett, Julian and Sandy, and countless others were committed to paper and shaped in scripts inside this block of offices. So much of what came after in terms of comedy - Python, The League of Gentlemen, Fawlty Towers, The Office, Little Britain, etc etc - was inspired by the gentlemen of ALS. Graham McCann tells this story extremely well: organising the material in terms of each office, and then each output, he adds the layers until we are left with an unforgettable image of collective comic enterprise. In addition to all of this, the thoroughness of the source notes and the helpful episode lists make the book a really useful, as well as entertaining, volume to have close at hand. The best present I've received this year.
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12 of 13 people found the following review helpful
5.0 out of 5 stars Invaluable contribution to comedy history 14 Nov 2006
Format:Hardcover
I bought this as soon as it came out, and I've been spreading the word ever since. It is amazingly thorough in its research (to cover the lives of Eric Sykes, Ray Galton, Alan Simpson, Spike Milligan and Johnny Speight, as well as the histories of Hancock's Half Hour, The Goons, Steptoe & Son, Sykes amd Till Death Do Us Part is a massive achievement), and thoroughly entertaining in the way it tells its story: the first wave of 'proper' professional comedy writers, ganging together to further the cause of their craft, creating all of the great shows of the 50s and 60s within the same cramped little set of London offices. McCann is a master of this sort of subject (his studies of Morecambe and Wise and Dad's Army were quite brilliant), and this latest, really splendid, book brings together so many fascinating strands it is absolutely gripping. I envisage re-reading and consulting this for many years to come.
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3 of 3 people found the following review helpful
5.0 out of 5 stars Fun and Frolicks 28 Jan 2009
By Neutral VINE™ VOICE
Format:Paperback
When Spike Milligan died the panel of Question Time were asked about his sense of humour. Surprisingly none of them considered it funny, which is either a comment on changing tastes or my failing to outgrow childhood memories. This book is full of those memories, The Goon Show, Hancock's Half Hour, Frankie Howard, Round The Horne, Steptoe and Son, all of which were created by writers working for Associated London Scripts (ALS). They included Milligan, Eric Sykes, Galton and Simpson, Johnny Speight and some A N Others such as John Junkin and Barry Took. In turn they influenced subsequent generations and a whole range of spinoffs. The list of ALS programmes covers 38 pages representing a dozen years of radio and television output.

They were an odd bunch with an odd sense of humour but in the austerity years and early fifties, in the days before foreign holidays and mass television, such humour was a relief from rationing and other hardships. No one ever knew what to expect from Spike Milligan. Spike Milligan often didn't know what to expect from Spike Milligan. He was unpredictable. On one occasion he worked in his office stark naked and when he slipped from genius to madman he attacked Peter Sellers. He later recalled, "I wanted love and they gave me pills". Milligan in a nutshell, Spike in a nutcase. Hardly surprising for a rootless child who was sent to a convent school for girls by his over protective mother!. Whether this identity crisis, his war injuries, or the innate psychological imbalances caused by bipolar disorder were responsible for his unpredictability, Milligan was a great comedy writer who helped reshape the genre.

Like Milligan, Eric Sykes suffered from a lack of warmth and family kindness in his early years.
... Read more ›
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1 of 1 people found the following review helpful
5.0 out of 5 stars Excellent read! 10 Feb 2012
Format:Paperback|Amazon Verified Purchase
Well, three points I would like to pick up on with A Warmington's review.

Eric Sykes mediocre? Yes, that certainly is you - as I find him a brilliant and understated comedian (something we British excel at), and I found his "If I Don't Write It Nobody Else Will" autobiography one of the best I have read this year.

Secondly, I don't find the book confusing whatsoever and in fact found it well laid out.

Thirdly. Why should it be funny? I didn't expect it to be, finding it very informative, which is what I wanted.

My only regret is that I didn't read this first as would have possibly made for a solid background before reading the individual biographies.

In my opinion an excellent book!! And a must for people interested in the best comedy in the world - British.
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5 of 6 people found the following review helpful
5.0 out of 5 stars An Essential Piece of Comedy History 19 Oct 2006
By Flynn
Format:Hardcover
First: There is an extraordinary story here - the best comedy scriptwriters in the country (the first great wave of 'celebrity' comedy scriptwriters) all working side by side in the same set of offices for more than a decade. Second: there are the individual studies of each writer, and each programme. So: what you get are several invaluable books in one - a brilliant compendium of a special era in British comedy. Quite simply irresistable.
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