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Bergman is naturally wonderful in her role, and her accent adds a trace of mystery to an already suspenseful story. The portrayal of Dr. Murchison, the previous head of the asylum, is smooth, polished, and quite effective, and the actor portraying Constance's former mentor does a masterful job as a somewhat stereotypical pseudo-Freud blessed with a penchant for making remarks I found quite humorous. While Gregory Peck is also very good, he seems to go a little over the top at times when he is reacting to troubling stimuli. Hitchcock's direction is both innovative and masterful. There are several scenes involving unusual camera shots that add much to the atmosphere of mounting suspense, and a dream sequence supposedly designed by Salvador Dali is unique and oddly compelling.
Certainly, Freudian analysis was more in vogue when this movie was made in 1955 than it is now. It is Constance's belief that something from the impostor's childhood triggered his amnesia, and she seeks to help him by unlocking his buried memories. A crucial plot point centers around a surreal dream the impostor has and Constance's interpretation of its meaning. While some modern viewers may scoff at the notions espoused here, such feelings should take nothing away from the enjoyment of this classic, atmospheric, suspenseful drama.
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