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on 3 April 1999
I find it incredible that this affluent and priviledged white male with a two hundred thousand dollar education could possibly know so much about hip-hop. Of course no one should take seriously his claim that this is in some way a 'risky' undertaking, especially from a well-paid academic. Still, Potter knows his stuff, is capable of taking in a great variety of the cultural discourse surrounding hip-hop and making sense of it (at least sometimes). I suppose this is just the kind of dull-as-driftwood analysis of a vibrant musical culture, but, as he points out, what else did you expect from an academic? I recommend this book to anyone who wishes to be conversant in everything hip-hop; just try not to sound like a rich white guy worshipping at the fount of Black creativitiy, won't you?
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