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The various sections of the novel describe the same group of protagonists: a young boy, a young woman and an older man. But the treatment of these characters is strikingly varied from section to section, and the ambitions of the novel are jaw dropping. In the Machine is set during the industrial revolution, and balances the carefully examined pathology of its characters against supernatural elements. We are then taken to the early 21st century in The Children's Crusade which has a far grittier tone, with a terrorist group setting off bombs at random throughout the city. Finally, we are plunged 150 years into the future, when the city of New York is struggling to deal with the host of refugees from a planet that astronauts have reached.
All of these widely disparate narratives are united by the telling presence of the poet Walt Whitman, who acts as an anchor for the reader in a narrative that disorients as much as it stimulates. Not everyone will be able to accept the massive reach of Cunningham's novel, and the wrench between different time periods is certainly more shocking than that in The Hours. But for those willing to accept the new and challenging, Specimen Days is a masterful and visceral read. --Barry Forshaw --This text refers to an out of print or unavailable edition of this title.
'Intricately conceived, stylishly written and admirably ambitious, this absorbing novel lingers in the mind.' Peter Parker, Sunday Times
‘“Specimen Days” contains more incidental beauty and emotional insight than many impeccably dull items on the shortlists of prestigious literary prizes. And it's by far the best gothic historical sci-fi cop thriller you'll ever read.' Michel Faber, Guardian
'Cunningham's conclusion is decidedly optimistic, if not utopian…And it is that abiding, dreamlike cinematic sweep of time – and our place within it – which makes “Specimen Days” an ultimately satisfying, richly rewarding and deeply enjoyable book.' Philip Hoare, Sunday Telegraph
'Thought-provoking.’ Independent
'As a novel of ideas, “Specimen Days” manages to be both entertaining and moving…puzzling, thought-provoking and well worth having.' Daily Telegraph
'Like its namesake, this novel is a work of genius.' The Glasgow Herald
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The result is a volume of three interwoven tales, each laced with deliciously fluid lines from Whitman, including two that recur, hauntingly, throughout: "...for every atom belonging to me as good belongs to you" and "...to die is different from what anyone supposed, and luckier."
Throughout the book, characters are obsessed with Walt Whitman, and several quote his prose compulsively while traversing the city of New York over the decades, from the Industrial Revolution to the future. In the first section, the Whitman-obsessed is a deformed child named Luke who works in an ironworks factory and is in love with his dead brother's seamstress fiancé. In the second section (which takes place the present day) the Whitman-quoter is another deformed child, one who has spent his life trapped in an apartment with walls covered in the pages of "Leaves of Grass" and has been raised to be a terrorist. The third section delves into science fiction, with a Whitman-programmed character who is half-human, half-robot, and travels across a radiation-wasted United States with an alien companion.
Readers will be appalled and fascinated at the possibilities raised: Is technology dooming the planet? Will things become even more unsafe for everyday citizens? If we find life on another planet, will we be disappointed?
"Specimen Days" is disturbing, yes, but impossible to give up on, even for the squeamish. Michael Cunningham's imaginative stories are irresistible even when they are nightmarish, and his writing is lyrical and filled with gorgeous imagery and turns of phrase. A wonderful book, but try it for yourself! Pick up a copy. Another book I need to recommend -- very much on my mind since I purchased a "used" copy off Amazon is "The Losers' Club: Complete Restored Edition," an odd, compelling little novel I can't stop thinking about.
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Really, though, it doesn't matter and I didn't mind. I was quite happy just to be led through and briefly recognise little nuggets of meaning as they tripped past, savouring the relationships Cunningham gives his characters, the writing and the stories. It's not word too long, either, which is nice to see. Most novels nowadays are too long (less is always more; it takes more skill to condense than to expand, and success always gives a more powerful novel). I'm not really sure I'm capable of unwrapping the meaning of the book (if it even has a thread you can pull that will give its "meaning" - or even a few), but what it does do unquestionably is present a series of fascinating ideas and themes.
The verse of Walt Whitman is another recurring theme, and I was a little confounded by it. As a device it is integral to the meaning, but as part of the story it's unnecessary in the extreme, forced and a little self-conscious. I didn't really know what to make of all these characters spouting lines of poetry at random. If this is a "Whitman" book, and "The Hours" is his "Woolf" book, The Hours is far more successful. Though, admittedly, he is using Whitman for a different kind of thing. But the Whitman does see a little out of place at times, even if it does make for a nice way of commenting on relationship between inchoate art and the concrete human world.
Each novella is, individually, very entertaining and very well-written, the interaction between the characters is particularly good. Taken apart, they're very good indeed. Taken together, they are even more rewarding. It's not as good as The Hours, but Specimen Days is, though a bit of an enigma, an unfalteringly interesting and enjoyable book about humanity and its place in the world it has created.
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