I've always been a big fan of Derek Meddings, and have read his book about the Anderson years (21st Century Visions), which is excellent. So I was looking forward to reading this one, which concentrates on his film work. And while any new behind-the-scenes pictures are welcome, the whole book gives off the air of not having much effort put into it.
For starters, there isn't a lot of text, and what text there is is very cursory and contains the odd spelling error. Meddings isn't a big name to anyone outside the Gerry Anderson/Bond fandoms, and this is not a general book about special effects, so anyone reading it will probably know quite a bit about him and his work already, so the fact that we learn practically nothing new is annoying. For example the coverage of "Live And Let Die" is mostly given over to the shot of Baron Samedi's head exploding. There are seven photos over four pages, and yet we're not told what happens in the shot, or how they achieved the effect. One caption reads "Derek adds some extra detail to the figure before shooting the exploded head from a different angle", so you could guess that his head explodes, but all the other captions merely describe the photos in words.
As for the pictures, the publishers obviously weren't spoilt for choice. These are personal photos rather than studio ones, and while there are some great pictures, there are also some poor ones, as well as several very similar photos which look like they're just padding. Also, there are several instances where the photo spans both the left and right pages, and the publishers have managed to get the page-join in the worst possible place. For instance, on page 64-65 there's a photo of the five people who won Oscars for the special effects for Superman. Of the five, the page join goes through the middle of Meddings. Likewise, on pages 92-93 there's a photo of the model street from Superman II. In the foreground, out of focus, stand the crew and in the background is Meddings wetting down the model. The page join, again, goes through Meddings, with the easy-to-see bits of the picture mostly out of focus.
Basically, the publishers were a bit limited in the photos they had, but also, they just don't seem to have put any effort in. I bought a programme from an exhibition about Meddings at the National Media Museum, and you learn far more about his film career from twelve pages of that, than you do in this entire book. I really hope that at some point somebody writes a decent book about Meddings, but he's not been with us for over fifteen years now, and I have a horrible suspicion that this might be it. What a wasted opportunity.