I feel sorry for those that can only compare this album to the ladies' earlier releases even though this one, their sixth as a trio, came ten years after their debut. This album is nothing short of magnificent. As with any Roches music, as appealing as it is upon first listening, the beauty continues to unfold as subsequent passes allow you to focus on all of the different elements and intricacies. First thoughts about the Roches usually go to harmonies and for that they are truly in their own class but their song writing continues to be remarkable -- the styles, the melodies, the lyrics, the phrasing ... then wrap it all up with impeccable execution. But what else is new? As with any Roches material, don't deprive yourself of the joy of intimate familiarity with this album. The more you listen, the more you will want to keep listening.
Frankly, contrary to the comments of some other reviewers, I like their use of electronic instruments on this record. Sure, I too love the purity of their standing alone with just their voices and acoustic guitars but this instrumentation allows them to add new highlights and move in different directions that only serves to demonstrate the depth of their talent and versatility. I even like the drum tracks because they are defined by the Roches and do exactly what the Roches want them to and they are as clever as everything else these three fabulous minds devise. To be honest though, I don't buy Roches music for the percussion.
Some have referred to their music from this period as evidence of a maturing and I would probably agree with that to an extent (heck, they had become 30-somethings instead of 20-somethings) but I'm here to tell you that the content of this album displays all of the wit, charm and beauty that has marked them from the start.
Some of the great tunes on this recording have already been mentioned by others here so I'll just touch on a few more.
Speak -- Great subject matter and so cleverly crafted
Big Nuthin' -- When they sang this song on the Tonight Show, Johnny Carson announced in the intro that it was a true story about their appearance on Saturday Night Live. Keep that in mind as you listen.
In the World -- A simply beautiful, two and a half minute interlude in the middle of the album, this is a lovely melody that showcases the lush texture of Maggie's voice. It took me a long time to stop hitting the repeat button over and over on this one and I still have to make myself allow the CD to play through without my interference (but I'm always rewarded with the great stuff that follows).
Losing Our Job -- This one has a sorta Nashville sound to me (whatever that means). Terre's lead vocals are moving and beautiful and the girls come together for a stirring chorus--not the usual tight harmonies as much as soaring, soulful strains that give me goose bumps.
The Anti-Sex Backlash of the 80's -- a cappella and snappy, an 'only the Roches' kind of tune and another example of the breadth of material in this collection.
Nocturne -- An ethereal blend of original poetry set to music and still another shining example of their talent and versatility.
Broken Places -- A tender song of relationships and healing. Could have been an upper-top-40 tune if they were in that market. By that I mean that the subject matter and song writing would have had that kind of broad appeal.
In general, as usual, each of the girls has key moments of being featured vocally and, when they are all together, Suzzy's lovely tone carries a strong and clear middle range while Terre paints a canvas in the upper register and Maggie provides rich depth and dimension with remarkable precision.
The splendid writing ability of all three girls is well represented on this album. Throughout their body of work, I have thoroughly enjoyed Suzzy's upbeat compositions and some of my favorite Roches pieces over the years have been penned by Terre. Ah, but what of Maggie? Just this: Margaret Roche is probably my favorite composer of all time...and I use 'probably' just to be cautious (I would have no problem deleting that word). Since she began writing--song after song, album after album--she is clearly a genius (I'll spare you that essay) and this album is another crowning achievement.
So...despite being the masterpiece that it truly is, don't be stuck on just "The Hammond Song" forever. Do yourself a favor and get this album and anything else that these girls ever do. Then listen carefully and listen often. You will be richer for it.