I Speak Because I Can (Eco-pack)

 

 

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I absolutely adore Laura Marling, but on first listen I would have given this album perhaps... either 3 or 4 stars, probably 4 stars. (i am very generous with stars)
The reason behind that is because I loved loved LOVED "Alas, I cannot swim" and for me, the darkness of "I speak because I can" was too different and too ... for want of a better word, frightening for me. After I got used to the change however, I think I love "I speak because I can", perhaps even more than the first album. for people that know her first album, her second is slightly bolder and slightly louder (well as loud as Laura Marling can be), with more things like banjos in (the mumford & sons influence- all of them apart from one contributed to the album so maybe you can kind of imagine the effect).

for me, Laura Marling's music is very lonely and melancholy. Her simplicity is haunting and even her songs with a bit more of a beat or her songs that are written in the major key still hold that loneliness and melancholy. This is why I love her so much. The way she sings is effortless. This is how I would describe her: an effortless talent. In other words, a natural talent. I think that's lacking in recent times. People who dislike her music probably dislike her lack of extreme and obvious sounds in both the music and in her singing, but for me it's refreshing. It's all a matter of taste but I thought I would try and describe why I like her, so that hopefully others can get an idea of what her music is like. it's very hard to explain but for me, her music holds all sorts of meaning that i had never experienced until i discovered her.

From devils spoke it's ovbious this is a darker richer and deeper effort beautifully crafted and more personal this is an album that deserves attention and love laura marlin is an underatted and phenominal woman at twenty this is more than can be expected

Laura Marling carries a huge weight on her young shoulders, She is still only 20 and yet following an astonishing debut album and a clutch of singles not least of all the brilliant "New Romantic" which she deliberately choose to leave off "Alas I cannot swim" the expectation around this second album is huge. In addition her personal life has become a factor (like it or not). The very public outpouring of heartbreak angst from her ex Charlie Fink of Noah and the Whale on "The First days of spring" has sealed this. Oh and just for good measure her very close chums in the album's backing band Mumford and Sons are currently as popular as Wayne Rooney at Old Trafford.

What makes her so special? The answers are vulnerability, versatility and voice. This sophomore album displays all these qualities in good measure. It is an incredibly mature set of songs containing a number of latent classics and potentially the best female voice I have heard since the young Joni Mitchell. Sorry if you think this hyperbole but with talent like this why be measured?

Having listened to this album constantly on repeat since the Times kindly streamed it (and be assured the Amazon order is in) it confirms an enormous step forward and not least since she has avoided the obvious rerun of her debut and some of its more commercial elements. The above paper has called it a "very British album - think snow-covered England, blackberries and cold noses". This description goes someway to capturing its atmospherics of folk rock but not the lyrical depth and breadth which many of her contemporaries lack.

Overall what is noticeable are the many echoes of Dylan on this album. The powerful opener "Devils spoke" has that driving acoustic propulsion and lyrical flow that underpinned "It's alright ma (I'm only bleeding)". It is a bracing and exuberant start. A later powerful song "Hope in the air" reeks of Dylan era "Bringing it back home". "Made by Maid" a gentle ballad could be a riposte to Neil Young's "Man needs a Maid" and then we are into one of the real highlights "Rambling Man". Here the resonances of the Joni Mitchell from the era of "Court and Spark" kicks in. The vocal is stunning and the song charts her vulnerability when she sings

"Beaten, battered, and cold
my children will live just to grow old
but if i sit here and weep
I'll be blown over by the slightest of breeze"

The excellent "Blackberry stone" is an older song which many will have already heard. It has a swooning violin in the background and is first rate. It is followed by an matchless highlight "Alpha Shadows" a song of controlled fury and power which does have a strong Mumford's feel about it. Then comes the utterly gorgeous Goodbye England (covered in snow) forever destined to be a wintry Christmas classic. You really must have a heart of stone not to adore this and it's the one song closest to the sprit of her debut. The three remaining songs are the poignant confessional "What he wrote" where she candidly admits "I miss his smell"; the gossamer light gentility and steady growing exuberance of "Darkness Descends" and epic searing closer "I speak because I can"

Laura Marling has recorded a beguiling and timeless second album and the transition from a teenager to a major artist has been achieved in three short years. Who knows what she can deliver in the future but here we have singer where emerging comparisons to singers like Nick Drake and Joni Mitchell are already possible and where perhaps we should worry less about her private life and more about her mercurial talent.

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5.0 out of 5 stars Christmas request
This and another were requested and although I have no idea as to what it is like I have been advised on good authority that it was just the ticket and a worthy addition to our... Read more

Published 8 days ago by Mr. PE Scrivens

5.0 out of 5 stars Exquisite songwriting
As much as I enjoy 'Alas I Cannot Swim', it sounds two-dimensional compared to this record. 'I Speak Because I Can' is impeccable from start to finish, and Marling's lyrics are... Read more

Published 1 month ago by Odelay In Space

4.0 out of 5 stars more excellent music from Laura
The whole album is very good, highlights are devils spoke and rambling man. Passionate intricate song writing, she is consistantly good while every album is different in some... Read more

Published 2 months ago by Hannah Sayles

5.0 out of 5 stars ASTONISHING
I have all three of LM's albums. I have played all three daily for weeks now. I knew nothing at all about her and bought this album because she was recommended by a fan on the... Read more

Published 2 months ago by Mr. C. E. Andersson

3.0 out of 5 stars Good early work
Well, this young lady certainly has some talent! I've been listening to and playing music for over 40 years. Read more

Published 3 months ago by Martin Williams

5.0 out of 5 stars More beautiful with every listen
I must admit that I was a little underwhelmed when I first heard this record all the way through, but now it's often on repeat in my car and it seems to draw me in more with every... Read more

Published 3 months ago by Auntie Aviator

3.0 out of 5 stars Not so Melodious Marling
Echoes of Joni Mitchell and Leonard Cohen resonate through this record, although more in tone and lyrics than strength of songs. Read more

Published 6 months ago by Martin.

5.0 out of 5 stars WOW
This is music that heightens the senses, nutures the soul and make you feel as though you are sitting in front of a warm fireplace. It's that good. Read more

Published 6 months ago by D. Diep

5.0 out of 5 stars move over jodi mitchell
just love this marriage of folk and country it reminds me of that calofornia sound of the early seventies there is plenty of sentiment and the diverseness of the lyrics make this... Read more

Published 10 months ago by P. M. Kielty

5.0 out of 5 stars Let it always be known that I was who I am
Laura Marling is perhaps my favourite musician of all time. My absolute favourite track on this album is Blackberry Stone; one of the live versions is a bit better though, with... Read more

Published 10 months ago by Linnea

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