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After worming their way into an R-rated Canadian film of their very own hereos Terrance and Phillip (they blackmailed a tramp to act as their Guardian). The boys little minds appear to have been warped with endlesss swearing and disrespect. So what do the lads' parents decide to do? - well Kyle's mother really - they declare WAR on Canada! Well it's not a real country anyway! (the film will confirm) Terrance and Phillip are soon arrested after being tricked by Conan O'Brien when they appear on his show to promote and defend their film. The story then shifts to HELL, where Satan and Saddam Hussain plot to use Terrance and Phillip's plight, to take over the world. (Saddam was killed by a pack of Wild-Boars) The story concludes brilliantly via a purely selfish sacrifice.
Look out for 'The Mole' a French freedom-fighter who hates being grounded; Cartman's updated big-band remix of "Kyle's Mom's a bitch!" in D-minor; Saddam's endless lust for Satan and Big Gay Al's 'super' return.
This Cartoon Musical will be tough to beat. The songs are outstanding! Stephen Sondheim has been quoted as declaring it the best musical in years! Buy-it folks M'kay!!!
Let's be totally honest: it is also one of the rudest films of all time, introducing the world to a whole new lexicon of swearing, insults and crude, colourful language. It is, naturally, very, very funny.
But it is not just the swearing and trademark makeshift animation that escalates this film to cult status. The plot is nothing short of magnificent (and, writing in 2003, eerily prophetic). Without giving too much away, the four lads in the film (Cartman, Kenny, Kyle and Stan) sneak into a cinema to watch a smutty film starring two Canadian comedians, Terrance and Philip. The effect it has on their behaviour sends their parents up in arms, and a full-scale war with Canada develops. Satan and a dead Saddam Hussein feature, the latter having been killed by a pack of wild boars.
Not only was 'South Park' as controversial as it got a few years back, the furore surrounding this film at the time perfectly mirrored its plot within. Such is the cunning and near-genius of Parker and Stone. But it is not just a juvenile cuss-fest - its anti-war, anti-censorship, pro-family message, as well as its shrewd political commentary about race relations and the American military, makes it absolutely exemplary. It is a liberal's dream, a bigot's worst nightmare and, although it may not be one of modern cinema's crowning achievements, it sure feels like it is.
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