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Dead Souls (Modern Library) [Hardcover]

Nikolai Vasilievich Gogol
5.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Hardcover: 560 pages
  • Publisher: Random House Inc; New edition edition (Nov 1997)
  • Language English
  • ISBN-10: 0679602658
  • ISBN-13: 978-0679602651
  • Product Dimensions: 18.8 x 12.2 x 4.3 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 5,510,624 in Books (See Top 100 in Books)

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Nikola? Vasil?evich Gogol?
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Product Description

Product Description

"I want to show all Russia in this novel," wrote Nikolai Gogol to Alexander Pushkin as he began writing Dead Souls in 1835. Published seven years later, Gogol's sardonic, bizarre tale revolves around Pavel Ivanovich Chichikov, a mystifying swindler who travels through provincial Russia trafficking in "souls"--those serfs who, even if dead, could still be bought and sold for profit. Though Gogol never realized his full ambition for Dead Souls--it helped propel him into insanity and he burned the second part of the book--the work endures as one of the most dazzling pieces of fiction ever written.
  "Dead Souls belongs to that group of picaresque novels in which the episodic adventures of a single character open up the world," observed V. S. Pritchett. "Chichikov is a superb comic device. The originality and farce of the idea which animate him take the breath away." Vladimir Nabokov agreed: "Gogolian gusto and wealth of weird detail lift the whole thing to the level of a tremendous epic poem."
  The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with afford-
able hardbound editions of impor-
tant works of literature and thought. For the Modern Library's seventy-
fifth anniversary, Random House redesigned the series, restoring
as its emblem the running torch-
bearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-
gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.
For a complete list of titles, see the inside of the jacket.  This Modern Library edition uses the translation of Bernard Guilbert Guerney that was described by Nabokov as "an extraordinarily fine piece of work."

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First Sentence
A rather handsome, light traveling carriage on springs rolled into the gates of an inn in a certain provincial capital, the kind of carriage that is favored by bachelors: retired lieutenant colonels, second captains, landowners possessing a hundred souls or so of serfs-in a word, all those who are called the fair-to-middlin' sort. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Customer Reviews

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Most Helpful Customer Reviews
5 of 10 people found the following review helpful
By A Customer
Format:Paperback
One of the drollest books imaginable.Drunkeness, absolute idiocy, and tender yet wildly misplaced poetry abound. It may be a bit macab, but the parables of manipulation and human foibles are so outrageously funny that one can skip much of the modernist movement and go straight for the fountainhead. What sets it apart is its originality, and what REALLY sets it apart is that Gogol, or the narrator, appears to be thoroughly unaware how droll the tone is, yet is still self-conscious and somewhat lyrical. Chichicov is the illegitimage grandson of Sancho. Kafka meets Beckett and gets runover by a tripping Marx. Nothing is sacred: A lying schemer is compared to a character in the Aeneid, and a group of men crowding around an pale faced demoiselle is compard to a bunch of flies flitting about sugar. Creative bliss to the maximum, and no need to wallow in meaning unless one is willing to write one's own parables as critiques. The outright antithesis of Hemingway.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:  15 reviews
10 of 12 people found the following review helpful
One of the World's Funniest Novels 23 Sep 2002
By Andy Todes - Published on Amazon.com
Format:Paperback
First of all, Guerney's is the only translation worth getting.

It was hailed as the finest in 1942. It is still the finest in 2002.

(Kudos to Yale University Press for printing it.)

Second, if you love the madcap humor of The Brothers Karamazov, in particular the lunacy of the father Fyodor Pavlovich, you will love Dead Souls.

Dead Souls.

Doesn't sound like a barrel of laughs does it? Doesn't sound a comic masterpiece, does it?

It is.

11 chapters full of cheats, liers, swindlers, fawners, rogues, sycophants, and above all (or below all) -- human beings.

14 of 18 people found the following review helpful
Hilarious social humor, with dark undercurrents 5 Jun 2001
By "pierce_inverarity" - Published on Amazon.com
Format:Paperback
While I was reading this, I couldn't help but compare it to Laurence Sterne's "Life and Opinions of Tristram Shandy." I later found out that Gogol was a fan of that book, so perhaps the parallels are intentional.

The protagonist, Chichikov, is a shaggy dog of sorts an average guy from a below-average background, who manages to use his schmoozing skills to get ahead in life, but is ultimately a bit of an insecure charlatan. (Lots of parallels to Jay Gatsby as well.) But, as in Sterne's book, we don't find out much about Chichikov until the very end of the novel -- otherwise, we only see small glimpses of Chichikov in action, and hear the mostly untrue things said about him by those he encounters. (Are these falsehoods of his own making, or of his observers' making? Or of ours, the readers' own making? Not an easy question.)

The novel takes us through various parts of Russian society, with many bits of the author's mockery obviously being things Gogol had wanted to get off his chest for quite a while. There are some excellent observations about "the Russian character," human nature, personality types, what different languages are good for, and many, many other bits of Gogolian brilliance. By the way, the financial scheme Chichikov is running is very clever, even by today's standards of financial wizardry.

The narrator does a lot of Sterne-like "stepping out of character"; in one of the more hilarious passages, he complains that his pen has suddenly become too heavy to write anything more about a certain character, and that he will take a rest. There are many comments to the effect of "So what kind of a novel were you expecting this to be, dear reader?" perhaps playing upon the shock with which the book was initially received. Also lots of teasing the reader, with back-and-forth to the effect of "should I reveal any more to you, or shouldn't I?"

Ultimately, the big question in the book becomes exactly who the "dead souls" are -- and the astute reader will realize that paradoxically, the dead serfs that are being bought and sold are the least dead of all the souls in the book.

This book is hilariously funny, and is rewarding even if read for humor alone. However, the literary and narrative experiments it undertakes, as well as its subtle social criticisms, make it even more worthwhile.

5 of 6 people found the following review helpful
Two separate books - a comedy and a moral piece 10 Jan 2000
By A Customer - Published on Amazon.com
Format:Paperback
Part One is the amusing story of Chichikov's shifty scheme to make money by obtaining legal ownership of recently dead serfs whose names are still on the census, in order to somehow mortgage this property at a profit. To understand the scheme you would have to understand the relevant laws.

To accomplish this purpose, Chichikov travels around Russia mixing with the best society and makes propositions to rich landowners. He is very good at flattery. Even so, things don't go smoothly for the scam artist.

Part Two, written many years later, brings back Chichikov as he meets a miser who allows his estate to go to pot, and a model landowner who works very hard. The question we are left with is whether Chichikov will continue to be a shifty character or will clean up his act like the model landowner. I'm sure it was meant as a question for the reader as well.

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