Review
'The most interesting book to date on the subject of social music projects like El Sistema, Buskaid and the Al Kamandjâti music school.... passion, zeal and candour...will appeal and infuriate.' --Marshall Marcus, Southbank Centre s Sistema Research Programme
'Amazing wordcraft... devastating throwaway insights... how the generation younger than mine is using musical culture to inspire hope.' --Simon Hewitt-Jones
'Intriguing... series of reflections on the interplay of race and music, particularly western music... Enthralled by her grasp of the educational subtleties of El Sistema... There is much food for contemplation and much for confrontation.' --Norman Lebrecht, Arts Journal
'So powerful... She reveals much about what lies at the heart of any journey into so-called classical music.' --Guy Dammann, New Statesman
'Singing songs of freedom from Kinshasa to Caracas.' --Independent
'Formidable.' --Evening Standard
'Singing songs of freedom from Kinshasa to Caracas.' --Independent
'Formidable.' --Evening Standard
About the Author
Candace Allen is a novelist and was the first African-American female member of the Directors Guild of America. Diversity and music are an integral part of her life, from Miles Davis friendship with her family, her later immersion in the world of classical music, to her political activism in the 60s and the Obama election campaign. She lives in Islington, London.