Simon Keenlyside and Malcolm Martineau are in fine form for this very sensitively programmed selection of songs about war. Rather than electing to present patriotic songs or songs praising the valor of conquerors, Keenlyside instead has very personally committed his attitudes toward war by choosing songs that address the innermost thoughts of soldiers on the front lines - longing, fear, homesickness, love, and yearning. The poems on which these songs are based on Keenlyside's own empathy for the safety and well-being of young men and women involved in theatres of war and for those left worrying at home; for those who have lost their loved ones or received them home, damaged or injured and for those far away, yearning for home and family. More about life than death, these songs are primarily written by English composers (with the exception of Kurt Weil and Ned Rorem) and that flavor of British stoicism and in many cases Pacifist ideas are evident.
This release is made more special in that Keenlyside has provided the liner notes, writings of great tenderness and concern, and has selected the cover of the album to be a photograph of a soldier form WW I writing a letter home - a soulful glimpse at the soldier's plight in a piece that is part of the Imperial War Museum based in London but with branches throughout England. It sets the tone for what is to follow inside. The songs performed by Keenlyside and Martineau are as follows:
John Ireland 'Sea Fever', 'The Vagabond'
Arthur Somervell 'Into my heart an air that kills', 'There pass careless people', 'White in the Moon', 'The street sounds to the soldiers' tread'
Ralph Vaughan Williams 'Songs of Travel: 'Youth and Love', 'The Infinite shining heavens', 'The Vagabond'
George Butterworth 'A Shropshire Lad: 'Loveliest of Trees', 'When I was one-and-Twenty'', Look not in my Eyes'', 'Think no more, Lad'', 'The Lads in their hundreds', 'Is my team ploughing?' and from 'Brendon Hill and other songs: 'On Brendon Hill'', O fair enough are sky and plain'', 'When the lad for longing sighs'', 'On the idle hill of summer', 'With rue my heart is laden'
Peter Warlock 'The night'
Anonymous/Ireland 'The Three Ravens'
Finzi 'Fear no more the heat o' the sun'
Frank Bridge 'Thy Hand in mine'
Ned Rorem 'An Incident'
Ivor Gurney ''When death to either shall come'', 'In Flanders'
Kurt Weill 'Beat! Beat! Drums!', 'Dirge for two veterans'
Though Simon Keenlyside is highly respected for his work both in opera and on the recital sage, few of his recordings come close to the honesty and pure beauty of singing of these songs. Hi s diction is perfectly clear at all times and the sings a though he had experience in the trenches or at least in the relationships with those who have. As always, Malcolm Martineau provides the finest in collaboration. This is a very special recording and one that would make a profound effect on audiences were Keenlyside and Martineau decide to tour with this recital. There performance of the Butterworth 'A Shropshire Lad' in Los Angeles recently proves that this music could not be in better hands. Highly Recommended. Grady Harp, November 11