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Review Bruce's intricate but powerful settings concoct a fusion of rock, jazz and proggy psychedelia, given both punch and focus by Felix Pappalardi's spacious production. While there's a superficial resemblance to the early jazz/rock fusions of Chicago and Blood, Sweat and Tears, this is much more adventurous, elegant fare. From sweaty R'n'B (''Ministry of Bag'') to psychedelic jazz improv (''Boston Ball Game 1967''), Procol Harum-esque melancholia (''Theme for an Imaginary Western'') to the intricate songforms of ''Ropeladder to the Moon'', Songs covers all the bases but never sounds thin or overstretched.
Unsurprisingly, the bass is up close and in your face throughout all this genre hopping. Bruce's melodic invention and (let's not put too fine a point on it) balls inspired a generation of potential bassists in ways few had done before; gone were the days when four string duties were handed out to the worst guitarist in the average rock band (though they do seem to be back now). Support comes from Colosseum's Jon Hiseman and Dick Heckstall-Smith, plus the wondrous Chris Spedding (melting a few frets at the Boston Ball Game) and a host of horn players.
Those who'll be hearing this for the first time are to be envied, while seasoned Bruceologists will be rewarded with a sparkling remastering job and the obligatory extra demo versions, alternate mixes and edits. Classic stuff (there, I've said it). --Peter Marsh
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