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The tracks with Cale on lead vocals stand out- Style It Takes (wonderfully performed on Fragments for a Rainy Season),Trouble with Classicists (great guitar from Reed), A Dream & (especially) Forever Changed stand out. Reed also gets to sing some great songs- the amusing Smalltown, the ethos of Work (up there with There is No Time), the spleen-venting I Believe (Valerie Solanis surfacing...) & especially the touching Hello It's Me- which shows that its possible to continue discourse with the dead: "I know it's late in coming but it's the only way I know/Hello it's me- goodnight Andy.../Goodbye Andy"-
Songs for Drella is a more experimental/improvisational work- unlike albums like White Light/White Heat, Berlin, & Paris 1919 which all sounded crafted and meticulously arranged. Songs for Drella isn't as quite out there as Cale's work with Eno&Nico or Reed's recent The Raven (or Metal Machine Music for that matter...)- it looks back not only at Warhol, but a now mythic period of cultural history. It also warrants its recent inclusion in Paul Morley's series of lists that conclude his book 'Words&Music'; one of the highlights of the 1990s...
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