Few of his local supporters doubted the class of his first full-length, Adventures in Gramophone, but with a bigger label behind him, Duke Special has been able to pull out all the stops on this glorious work. With orchestral backing, the songs which first appeared on Adventures and which have been re-recorded sound fantastic as ever, but it's Mr Wilson's new work which really raises the eyebrows. There's some proper toe-tapping going on in the great first single Portrait, Everybody Wants A Little Some and Salvation Tambourine, some heartstring pulling, nay, <u>wrenching</u> on This Could Be My Last Day, No Cover Up and Something Might Happen. Slip Of A Girl sounds like Avalon Sunset-era Van Morrison with a sweeter voice, and last but no least are my two favourite new songs, and what I feel are the most interesting ones on the album. The intro to Brixton Leaves sounds like a phrase from a piece by one of the great Russian composers of old, and sure enough, the chorus has that sort of "cossack" feel that just makes you want to put on a furry hat and drink vodka. Then the chorus kicks in, all strings and soaring vocals, singing of hope and rebirth, quite fitting after the last verse, about our troubled shared hometown of Belfast. Ballad of a Broken Man is (IMHO) the best song on this album, mixing Peter's phenomenal ability to craft lyrics of maturity and poignance (and still get them to rhyme!), and then mix them with graceful melodies. A pefect song off an almost perfect album by the best European singer-songwriter in the past 20 years (at least). This album should catapult Duke Special above all the record-company-pleasing trash posing as singer-sonwriters in the charts, and it's about time too. Best of luck, Duke.