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Album Savings: £14.87 compared to buying all songs
- Original Release Date: 28 Nov 2005
- Format - Music: MP3
- Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
- Also available in CD Format
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| Song Title | Artist | Time | Price | |||
|---|---|---|---|---|---|---|
| Play | 1. Die Nacht, Op. 10 No. 3 (Hermann v. Gilm) | Katarina Karnéus/Roger Vignoles | 3:01 | £0.89 | ||
| Play | 2. Meinem Kinde, Op. 37 No. 3 (Gustav Falke) | Katarina Karnéus/Roger Vignoles | 2:30 | £0.89 | ||
| Play | 3. Begegnung (Fr. Gruppe) | Katarina Karnéus/Roger Vignoles | 1:54 | £0.89 | ||
| Play | 4. Nachtgang, Op. 29 No. 3 (Otto Julius Bierbaum) | Katarina Karnéus/Roger Vignoles | 2:50 | £0.89 | ||
| Play | 5. Ruhe, meine Seele, Op. 27 No. 1 (Karl Henckell) | Katarina Karnéus/Roger Vignoles | 3:49 | £0.89 | ||
| Play | 6. Allerseelen, Op. 10 No. 8 (Herman v. Gilm) | Katarina Karnéus/Roger Vignoles | 3:13 | £0.89 | ||
| Play | 7. Mein Herz ist Stumm, Op. 19 No. 6 (A. Fr. Graf v. Schack) | Katarina Karnéus/Roger Vignoles | 3:13 | £0.89 | ||
| Play | 8. Morgen, Op. 27 No. 4 (John Henry Mackay) | Katarina Karnéus/Roger Vignoles | 3:31 | £0.89 | ||
| Play | 9. Wie sollten wir geheim sie halten, Op. 19 No. 4 (A. Fr. Graf v. Schack) | Katarina Karnéus/Roger Vignoles | 1:49 | £0.89 | ||
| Play | 10. Lieder und Gesänge Vol. 1: I: Frühlingsmorgen (R. Leander) | Roger Vignoles/Katarina Karnéus | 1:56 | £0.89 | ||
| Play | 11. Lieder und Gesänge Vol. 2 & 3: II: Ich ging mit Lust durch einen grünen Wald (from Des Knaben Wunderhorn) | Katarina Karnéus/Roger Vignoles | 4:25 | £0.89 | ||
| Play | 12. Lieder und Gesänge Vol. 2 & 3: IV: Ablösung in Sommer (from Des Knaben Wunderhorn) | Katarina Karnéus/Roger Vignoles | 1:46 | £0.89 | ||
| Play | 13. Lieder und Gesänge Vol. 1: II: Erimnerung (R. Leander) | Roger Vignoles/Katarina Karnéus | 2:58 | £0.89 | ||
| Play | 14. Lieder und Gesänge Vol. 1: III: Hans und Grethe (G. Mahler) | Roger Vignoles/Katarina Karnéus | 2:12 | £0.89 | ||
| Play | 15. Lieder und Gesänge Vol. 3: III: Scheiden und Meiden (from Des Knaben Wunderhorn) | Katarina Karnéus/Roger Vignoles | 2:35 | £0.89 | ||
| Play | 16. Rückert-Lieder: Ich atmet' einem linden Duft | Roger Vignoles/Katarina Karnéus | 2:25 | £0.89 | ||
| Play | 17. Rückert-Lieder: Liebst du um Schönheit | Roger Vignoles/Katarina Karnéus | 1:33 | £0.89 | ||
| Play | 18. Rückert-Lieder: Blicke mir nicht in die Lieder | Roger Vignoles/Katarina Karnéus | 2:25 | £0.89 | ||
| Play | 19. Rückert-Lieder: Ich bin der Welt abhanden gekommen | Roger Vignoles/Katarina Karnéus | 5:15 | £0.89 | ||
| Play | 20. Und gestern hat er mir Rosen gebracht (Th. Lingen) | Roger Vignoles/Katarina Karnéus | 1:51 | £0.89 | ||
| Play | 21. Maienblüten (L. Jacobowsky) | Roger Vignoles/Katarina Karnéus | 2:04 | £0.89 | ||
| Play | 22. Hat dich die Liebe berührt (Paul Heyse) | Katarina Karnéus/Roger Vignoles | 3:12 | £0.89 | ||
| Play | 23. Wofür | Roger Vignoles/Katarina Karnéus | 0:45 | £0.89 | ||
| Play | 24. Venetianisches Wiegenlied (Heyse) | Katarina Karnéus/Roger Vignoles | 3:30 | £0.89 |
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Customer Reviews
Most Helpful Customer Reviews
3 of 3 people found the following review helpful
Format:Audio CD
This is a very good debut recital. And a nice Austrian theme, demonstrated particularly in the idiom of the Marx songs. If four stars appears churlish, the only reason for retaining the 5-star rating is that Karneus sounds even better in her native Swedish on the subsequent Sibelius CD for Hyperion. Also, if you can locate a back-issue there's an excellent version by Karneus of Les Nuits d'Ete on the cover CD of the April 2000 issue of BBC Music Magazine.
Be warned however that as with several of the other discs in this EMI Debut series (i.e. the Shtoda recital, De Young recital, Russian choral recital and American Anthems) the original pressings, with black and white cover photos, did not include the librettos - which had to be downloaded from EMI's web page (though they have now vanished). That has now changed, although the catalogue numbers remain the same, and EMI have added full libretto-booklets distinguished by a colour photo CD cover. The only exception appears to be the Lemalu Brahms disc which has a colour booklet photo but still no texts.
2 of 2 people found the following review helpful
Format:Audio CD
What a give-away price for such a marvellous CD. If you enjoy lieder you will enjoy this collection. Karneus sings with relaxed assurance; no need to force no need to plays tricks, every note and every syllable perfectly audible and perfectly weighted. Listening to her renditions of all these songs, one is convinced that they can only be sung this way. The warmth and sympathy of Karneus's voice and where appropriate it's humour and gayiety shine through in these joyous performances. Roger Vignoles is masterly in his accompaniment and the clarity and delicacy of the piano line appears as if light in a forest clearing. Take this journey with Karneus into nature, childhood and the faint longings of the heart and be satisfied.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
1 review
3 of 3 people found the following review helpful
A beaautiful tone and appealing femininity carry this debut CD
21 Nov 2009
Format:Audio CD
Having released this album in their "Debut" series, EMI realized that young Swedish mezzo Kararina Karneus, who was trained in London, has turned into a rising star, so you will see the CD repackaged with a more attractive cover. The company has gamely promoted quite a few young female singers -- Sally Matthews, Alice Coote, and Kate Royal among them -- and of that crop, I think the potential stars are Royal and Karneus. the latter has a bright mezzo that sounds like a ripe soprano but with plenty of flexibility. The tone is immediately appealing, and her musical instincts make her an emotionally spontaneous, natural interpreter. What could be better?
I've heard online performances from Karneus that made me sit up before I came to this CD. She's much in demand in Europe, singing the familiar Mozart-Mahler, Strauss axis, two of which are featured here. With able, but not inspired, accompaniments from Vignobles, Karneus is at home in every song. Like Royal, her approach isn't flashy at first; she's comfortable and relaxed much of the time, but what keeps your ear interested is the gorgeous, even voice and its femininity. The only weakness I hear is a lack of rhythm, but this may be due to the pianist as much as the singer. Since Stauss's songs call for a steady stream of tone, she's most successful there. the folk-inspired innocence of Mahler's early Lieder und Gesange also suit her charming style, but here I wanted more dynamism and alertness to the composer's changes of mood. Karneus doesn't really change her style from what she uses for Strauss. The great Ruckert Lieder find her a bit out of her depth, but she's up against great interpreters like Janet Baker and Kathleen Ferrier. Of the Marx songs I know nothing and cannot comment.
In all, I think EMI has found an outstanding young talent. The voice is certainly there; now let's see where the artist goes.
I've heard online performances from Karneus that made me sit up before I came to this CD. She's much in demand in Europe, singing the familiar Mozart-Mahler, Strauss axis, two of which are featured here. With able, but not inspired, accompaniments from Vignobles, Karneus is at home in every song. Like Royal, her approach isn't flashy at first; she's comfortable and relaxed much of the time, but what keeps your ear interested is the gorgeous, even voice and its femininity. The only weakness I hear is a lack of rhythm, but this may be due to the pianist as much as the singer. Since Stauss's songs call for a steady stream of tone, she's most successful there. the folk-inspired innocence of Mahler's early Lieder und Gesange also suit her charming style, but here I wanted more dynamism and alertness to the composer's changes of mood. Karneus doesn't really change her style from what she uses for Strauss. The great Ruckert Lieder find her a bit out of her depth, but she's up against great interpreters like Janet Baker and Kathleen Ferrier. Of the Marx songs I know nothing and cannot comment.
In all, I think EMI has found an outstanding young talent. The voice is certainly there; now let's see where the artist goes.
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