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For the most part, Banfield is careful to keep tying his analysis back into the work as a whole - however, there are times when he just gets lost in this complicated dissection of musical theory. I'm not sure whether this is because I don't understand many of the musical terms he's using, or whether it's because his prose style is a little too verbose sometimes.
On the other hand, this is an especially insightful read for wannabe composers who admire Stephen Sondheim - it certainly gives you a lot of ideas to think about.
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