- Audio CD (29 Mar 2004)
- Number of Discs: 1
- Label: Scape
- ASIN: B00018Q4K6
- Other Editions: Vinyl | MP3 Download
- Amazon Bestsellers Rank: 372,857 in Music (See Top 100 in Music)
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
5.0 out of 5 stars (3 customer reviews)
3 of 3 people found the following review helpful:
5.0 out of 5 stars
Europe is smelling dubby, 20 Oct 2004
By tonnieboy - Published on Amazon.com
This review is from: Something Borrowed Something Blue (Audio CD)
Analog meets digital. A definite buy for those interested in the other side of europe's dub translation.
3 of 3 people found the following review helpful:
5.0 out of 5 stars
teutonic reggae, 7 Aug 2004
By J. W Whitney - Published on Amazon.com
This review is from: Something Borrowed Something Blue (Audio CD)
Everything on Scape (Pole/Stefan Betke's label) has been good but this is definitely one of the stand out records. In a similar vein as the earlier Pole material with the whole dub foundation, but different enough to constitute it's own thing. In my opinion this is what a lot of people are trying to do with the integration of the organic/electronic sound, but this just nails it. Buy it.
5.0 out of 5 stars
Deadbeat - Something Borrowed, Something Blue, 28 Feb 2011
By scoundrel - Published on Amazon.com
This review is from: Something Borrowed Something Blue (Audio CD)
Much stronger and accomplished than the first Deadbeat album, SOMETHING BORROWED, SOMETHING BLUE sees Scott Menteith exploring the boundaries of dub further, with a keen interest to the space created by reverb, rather than reverb itself. The music itself is warmer, as immediately evidenced by the plaintative piano chords on "Head Over Heels." "White Out" introduces some well-received rhythmic variations on dub. Even the more reggae-oriented pieces like "Steady as a Rock" or "Joyful Noise (Pt. 1)" seem more filled out and less generic. "Fixed Elections" rings with old-skool IDM melodies and rhythms, while "Portable Memory (The Final Cut)" drifts away on echoing static and tones that open up possibilities beyond what is heard.
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