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Track Listings
| 1. Autumn Leaves (Rudy Van Gelder Edition) (1999 Digital Remaster) |
| 2. Love For Sale (Rudy Van Gelder Edition) (1999 Digital Remaster) |
| 3. Somethin' Else (Rudy Van Gelder Edition) (1999 Digital Remaster) |
| 4. One For Daddy-O (Rudy Van Gelder Edition) (1999 Digital Remaster) |
| 5. Dancing In The Dark (Rudy Van Gelder Edition) (1999 Digital Remaster) |
| 6. Bangoon (aka Alison's Uncle) (Rudy Van Gelder Edition) (1999 Digital Remaster) |
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Customer Reviews
Most Helpful Customer Reviews
36 of 36 people found the following review helpful
Format:Audio CD
A stunning album, 'Somethin' Else' was a collaboration between three men - Julian 'Cannonball' Adderley, the credited bandleader; Alfred Lion, the producer and that inescapable great of jazz, Miles Davis. It always seems a bit harsh to Adderley that Miles gets so much more credit for this work than his sideman from 'Kind of Blue' - a much larger photo than the former for example - but then you sit back and realise that, as Musician noted in 1992, this is "...Among the candidates for 'greatest Miles Davis record'...". Miles has such a large role in the recording that you wonder if he is actually bandleader. Fortunately, this is not really important - and soloing from all the players is brilliant, Adderley especially.
You can refer to the liner notes for details of the tracks when you get the album - the bonus track 'Bangoon' is reason enough to buy this re-release. 1958 was a great year for jazz, and 'somethin' else' is right up there with the other great releases of its time.
69 of 70 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
This was very much a collaborative effort between Cannonball Adderley and the master himself, Miles Davis, in a rare guest appearance. Adderley was part of Miles' sextet that recorded 'Milestones' around the same time as this recording, and Miles was returning the favour. Miles is, if anything, more dominant on this album than his own.
The beautiful opener 'Autumn Leaves',one of the truly great jazz recordings, is an example of this, as Miles takes three solos to Adderley's one, playing the theme at the beginning and end. The arrangement of this standard is inspired, the piano intro and outro by Hank Jones work superbly well, and Miles is at his lyrical, moody best.
'Love For Sale' is also excellent, particularly Miles' contribution, and it is interesting to compare with the version by Miles' sextet, including Adderley, recorded a few months later, and found on '58 Sessions.'
After those two slow/medium tracks, Miles' own 'Somethin Else' raises the tempo and contains blistering interplay between the two men, both playing brilliantly in a joyful and exuberant performance.
Adderley redresses the balance with 'Dancing in the Dark,' where he takes the only lead role and slowly builds momentum and emotion in his playing.
'One for Daddy O' is another fine track featuring both soloists in great form, and although the additional 'Rangoon' is a pefectly decent performance, the album would be as good without it, as it was in its original form, with Dancing in the Dark' as the closing track.
A classic album, and in my opinion the best of all Blue Note recordings; a must for fans of either star (and the supporting cast isn't bad either including Art Blakey on drums!) It offers yet another element to Miles' remarkable late 50s music, arguably the greatest period of his career.
The beautiful opener 'Autumn Leaves',one of the truly great jazz recordings, is an example of this, as Miles takes three solos to Adderley's one, playing the theme at the beginning and end. The arrangement of this standard is inspired, the piano intro and outro by Hank Jones work superbly well, and Miles is at his lyrical, moody best.
'Love For Sale' is also excellent, particularly Miles' contribution, and it is interesting to compare with the version by Miles' sextet, including Adderley, recorded a few months later, and found on '58 Sessions.'
After those two slow/medium tracks, Miles' own 'Somethin Else' raises the tempo and contains blistering interplay between the two men, both playing brilliantly in a joyful and exuberant performance.
Adderley redresses the balance with 'Dancing in the Dark,' where he takes the only lead role and slowly builds momentum and emotion in his playing.
'One for Daddy O' is another fine track featuring both soloists in great form, and although the additional 'Rangoon' is a pefectly decent performance, the album would be as good without it, as it was in its original form, with Dancing in the Dark' as the closing track.
A classic album, and in my opinion the best of all Blue Note recordings; a must for fans of either star (and the supporting cast isn't bad either including Art Blakey on drums!) It offers yet another element to Miles' remarkable late 50s music, arguably the greatest period of his career.
20 of 20 people found the following review helpful
Format:Audio CD
One of the favourite CD's in my collection, this record is right up there with the best. Cannonball may be the leader, but Miles is absolutely superb. He plays the tunes like they belong to him and really inspires the band. The thing that impresses me most is Autumn Leaves. Seeing such a common tune on the track listing one thinks 'Oh not again!', but when Miles comes in with the tune, you have to smile with delight - HE'S THAT GOOD! Don't miss out on this great music.
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Most Recent Customer Reviews
Cool!
This is cool controlled jazz at it's very best. All the musicians are on top form - how have I missed hearing this CD over the years!!
Published 2 months ago by Swifty
The title says it all : like 'Kind of Blue' it is not.
I read somewhere that this album is very similar to 'Kind of Blue'. The implication being that if you like KOB you'll also enjoy this. Read more
Published 3 months ago by RG
Classic Cool Jazz
If you have only recently come over to jazz then I would definitely recommend you launch your jazz collection with this classic album from the Blue Note label produced in 1958,... Read more
Published 8 months ago by Mr. M. F. J. Streeton
Straight to your heart like a Cannonball
This whole album, from as long ago as 1958, is an utter delight from start to finish.
And what a start. Read more
And what a start. Read more
Published 10 months ago by GlynLuke
Somethin' Else by name, Kind of Blue by nature
If you know and love Miles Davis from the late 1950s `Kind of Blue' period but haven't heard anything recorded under Julian `Cannonball' Adderley's own name, you're likely to love... Read more
Published 13 months ago by Dr. Trang
Something Else, Julian Cannonball Adderley - Delicious bluesy jazz
This is definitely an album that should be on the list of top ten jazz albums to hear before you die. I think this for two reasons. Read more
Published 14 months ago by Victor
Bubblin' up and under
Julian "Cannonball" Adderley, along with the likes of Phil Woods, was an alto sax player who took an element of Charlie Parker's overwhelming artistry and fashioned new things out... Read more
Published 20 months ago by N. Jones
Nothin' Else to Say.
Miles appears here as a sideman for Cannonball on this incredible album, the next best thing to Kind of Blue. Read more
Published on 4 Feb 2010 by SIMPLE NOTES.
big love for this
This album is full of beautifully constructed music (that'll be of the jazz variety of course). My girlfreind hates it but after she's fallen asleep i love to get it playing... Read more
Published on 22 Jan 2010 by Rob.D
Jazz
This (and Kind of Blue) are the ultimate coming together of four of the best ever jazz musicians the World has ever produced. Read more
Published on 8 Aug 2009 by Richard Lewis
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