A REVIEW OF `KING SOLOMON'S MINES BY H. RIDER HAGGARD
In many ways, `King Solomon's Mines' is THE classic adventure story. First published in 1885, and written in response to a wager that he could not produce a story half-as-good as `Treasure Island', H. Rider Haggard left a legacy which continues today, not only in literature, but also in such films as `Indiana Jones...' and `National Treasure'. The plot is simplicity itself: Whilst in deepest Africa, gnarled elephant hunter, Allan Quartermain receives an irresistible offer from two fellow Englishmen to join them on a quest to find the lost treasures believed to be hidden in King Solomon's Mine. Added to this, one of the fellow adventurers, Sir Henry Curtis, is looking for his brother who seemingly disappeared on the same quest. Equipped with plenty of guns and ammunition, Quartermain's scrawled map of the region, and some native companions, they are off.
`King Solomon's Mines' wastes no time laboriously setting the scene. Indeed, the first third of the book is a fast-paced tale, full of movement, during which our heroes face all manner of hardships, attempting to reach the road that leads to untold riches. The perils that they face are evocatively and realistically told and the reader is easily drawn into the adventure.
And then, it rather grinds to a halt. The middle third takes the narrative in an entirely different direction. All thoughts of lost treasure and missing siblings vanish, as we are caught up in a bitter and brutal civil war between two rivals for the throne of Kukuanaland. Admittedly, once the fighting begins, the action comes thick and fast. However, for many pages, the momentum of the quest is lost. It's not that these pages are not entertaining. Far from it. They are filled with much humour and mystery, and make the best use of false-teeth and eclipses that I can recall in a novel! Nevertheless, the effect is a bit like expecting the crowd at a football match to be as equally interested in the half-time entertainment as they would be in the match itself.
Thankfully, we rejoin the hunt for the gold and diamonds in the final third of `King Solomon's Mines', and the wait is definitely worthwhile. The telling of the finding of the treasure is brimming with suspense, excitement and some liberal dollops of horror. Like the best moments of `Raiders Of the lost Ark', it all works brilliantly. The effect is enhanced by having Quaertermain as the narrator. At the start of the tale he made it clear that he was no fearless hero, and his responses to the unfolding predicament of the adventurers add a veneer of believability to what could have been presented as excessively far-fetched hokum.
Thus, on turning the final page, `King Solomon's Mines' emerges a terrific (if flawed by its pedestrian second act) adventure classic, worthy of its endless reprints. Haggard clearly knew that he was onto a winner as Quartermain was to return in a whole series of novels, the most famous being the first eponymous sequel. `King Solomon's Mines' may not be pure gold, but it shines brightly enough to keep lovers of boys'-own-fiction hunting for more such treasures.
Barty's Score: 8.5/10