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The speaker, who is obviously Javier Cercas himself, soon begins to expand the scope of his tale, investigating more than the verifiable facts about Sanchez Mazas and musing philosophically about the passage of time, the transcience of youth, the dubious legacy of war, and the nature of heroes. Wartime heroes live only as long as their friends remember them, and lives and memories are short: one must seize the moment and dance a paso doble in the time available.
The complex history of the Spanish Civil War in the first part of the novel is slow, full of unfamiliar names, places, and political alliances, but as the story of Sanchez Mazas unfolds, the reader gradually warms to the speaker's quest to learn everything he can about the incident in the forest. The scenes near the end of the book, set in a nursing home, are full of touching and emotional realizations, conveying powerful, universal messages about war and heroes from one generation to another (and to the reader) without being didactic. Cercas's style is honest and full of self-mockery, though some readers may be put off by his syntactically complex sentences, which are sometimes a page long. Focusing on what it means to be a hero, the novel is a tour de force in which the reader learns as much about the creative process of author Cercas as he does about the almost forgotten author Sanchez Mazas. Mary Whipple
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