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The visuals sway from the ethereal (Solaris), austere (Earth) and utilitarian (Space Station). On the commentary track, Soderbergh tells us he wanted Solaris to have a 'synaptic' quality to it and the effect is beautiful. Cliff Martinez's score, too, will follow you around for months.
As for the cast, Clooney is excellent as ever. While his performance doesn't require histrionics he makes believable a shrink thrown into a situation where his vocational skills are rendered useless by minds becoming matter. Natascha McElhone is charged with an incredibly difficult role. Her character on Earth is confident, sexy, playful, remote and ultimately suicidal; on Solaris she has to play whatever Clooney's character has in mind...hard work, but admirably done. It's unfortunate that in one weak scene of un-necessary exposition the focus is on McElhone but it's a fault of the screen-writer, not her. Jeremy Davies' Snow is perhaps the character that deserved more attention than was given. Considering his unique 'situation' it would have been worth an extra half hour to explore it. Viola Davis is okay but ultimately pointless. The removal of her character wouldn't have affected the film in anyway and her presence really only fills an authority vacuum on the station.
It's good to see adult themes being explored in the Sci-Fi genre and being embraced by Hollywood heavyweights....and not a LaZer BeAm in sight. Obviously this film won't appeal to the 'action' based wing of Sci-Fi fans and the polarity of opinions shown here is evidence of this. But as a serious slice of "what if", Solaris rewards attention and multiple viewings.
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