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Solace [Hardcover]

Belinda McKeon
4.0 out of 5 stars  See all reviews (22 customer reviews)

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Product details

  • Hardcover: 352 pages
  • Publisher: Picador (5 Aug 2011)
  • Language English
  • ISBN-10: 0330529846
  • ISBN-13: 978-0330529846
  • Product Dimensions: 22 x 14.2 x 3.8 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (22 customer reviews)
  • Amazon Bestsellers Rank: 211,884 in Books (See Top 100 in Books)

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Belinda McKeon
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Product Description

Review

'A sparely written book of huge emotional power... Solace brings alive the rural experience and the conflicting values of contemporary Ireland, but is also a richly compelling love story' --Sunday Independent

`Compelling... A profound and exacting conjuration with the psycho-social shifts taking place in contemporary Ireland... The poetic sinuousness of McKeon's style deftly insinuates the reader into the emotional worlds of her characters which are outlined with unflinching clarity and a winning compassion. Solace , in sum, is an assured and poised debut, at once a moving and gracefully etched story of human loss and interconnection set in contemporary Ireland and a deeply affecting meditation on being in the world' --Irish Times

`A fine example of the modern Irish novel... An irrepressible power runs through the finely crafted text... The writing, transitions and branching narratives are honed to a fine point... This is a beautifully small story that loses none of its intimacy by encompassing the breadth of a country and acknowledging an entire generation' --Sunday Times Ireland

`The juxtaposition of urban and rural Ireland is very effective... A compelling story of how the adult family unit renegotiates itself. There is no denying McKeon's talent' --Irish Independent

`It's difficult to imagine a novel being more permeated by the preoccupations of Irish culture and more conscious of its location within an Irish literary tradition than Belinda McKeon's debut. Solace is about a lot of things - love, grief, parenthood, friendship, the struggles for self-definition and intellectual autonomy - but at its core is a theme that has animated many of this country's most enduring fictions: the endlessly problematic relationship between older and younger generations... Eloquent precision is everywhere in the novel... McKeon has obviously learned a great deal from the likes of McGahern and Colm Tóibín, but she has taken the lessons of these masters and constructed something that, though it may not be entirely new, is very much her own'
--Sunday Business Post

`Accomplished... Thoughtful and intelligent... A work steeped in verisimilitude, whose integrity is palpable and its concerns clear-cut'
--Times Literary Supplement

'[A] beautiful first novel... A remarkable new voice' --The Times

'An excellent musing on families and relationships... Ms McKeon's real strength lies in portraying the slow burn of kinship... She hooks the reader with words unsaid; stolen glances; simmering anger - which hold the heaviness of a lifetime of buried emotion, but also of unconditional love... Solace is a warm and wise debut from a new literary talent' --Economist

'Belinda McKeon has already established herself as a playwright and arts journalist in both Ireland and America, and now her anticipated first novel arrives complete with endorsements from some of the great figures of Irish letters. Solace does not disappoint, and in it we feel a young writer carefully negotiating her relationship to her native Ireland and to its literary traditions... She writes with a precision that is moving without being sentimental. She is superb on the inarticulate coming-to-terms between a father and his son. Patient to a fault, this author demands patience from her reader, but it is the kind of patience that is worth cultivating' --Sunday Times

'Intensely controlled, [a] fine first novel' --Guardian

'Accomplished... Thoughtful and intelligent... A work steeped in verisimilitude, whose integrity is palpable and its concerns clear-cut'
--Times Literary Supplement

`McKeon keeps all the plates spinning, plotting in perfectly timed cliffhangers... and draws you into the lives of the Caseys and the Lynches with grace. Her prose style is simple to the point of plain yet it illuminates her characters with the intensity of a searchlight... [But] it is not the plot that interests her, or us, but the truth of the characters. .. Solace is impossible to put down' --Sunday Herald

`A compelling story... There is no denying McKeon's talent' --Belfast Telegraph

'Few Irish debuts have been as praised as Belinda McKeon's Solace and, given her assured prose and unsentimental yet empathetic storytelling, it's little wonder... McKeon's carefully calibrated prose never wavers and her ear for dialogue is unerring, perhaps because she's as attuned to what her characters are unable to say as to what they are. She is as sure-footed writing about a young urban milieu as she is an older rural one and when tragedy strikes her resolve doesn't crack. The eviscerating effects of grief are dealt with in clear-eyed fashion. Tentative, tender and effortlessly moving' --Metro (4-star review)

'It's a brave writer who slams the brakes on hard halfway through a story and takes it in a shockingly different direction. But Belinda McKeon has the courage and pulls it off magnificently. So the second half of the book is a heartbreaking account of Mark's struggle to survive the appalling tragedy he could never have known was lying in wait for him' --Daily Mail

'Elegant and assured... In spare, measured prose McKeon deftly explores the process of grief... Solace is a gentle, haunting meditation on the bonds of family and, ultimately, what it means to love'
--Sunday Express (4-star review)

'Subtle... [a] gallant new flag for the Irish novel' --Sebastian Barry, Guardian

`A really enjoyable debut novel' --Joseph O'Connor, Sunday Herald

`Impressive... The story is told coolly and obliquely but there's a powerful rawness at its heart' --Irish Independent

Product Description

As tender as it is heartbreaking, a brilliant debut from an exciting new voice in Irish fiction

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Customer Reviews

Most Helpful Customer Reviews
1 of 1 people found the following review helpful
Beautifully paced 23 Dec 2011
Format:Hardcover
Tightly written - she has a great eye for the small human interactions that carry emotional significance.
This novel is both beautifully paced and completely unsentimental - which is a great achievement given the content. Wonderful.
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9 of 11 people found the following review helpful
By Laura T VINE™ VOICE
Format:Hardcover|Amazon Vine™ Review (What's this?)
In this outstanding debut novel, Belinda McKeon tells the very simple story of half-hearted PhD student Mark, divided between his life in Dublin and his father Tom's wish for him to work on the family farm near Edgesworthtown in Longford, and his love affair with trainee solicitor Joanne, who shares the same roots. However basic this subject matter may seem, I found it absolutely gripping. It is McKeon's sure command of language that makes these characters and their choices real; her style is also simple, but surprisingly assured for a first novel, even a good first novel, and I knew from the first few sentences that I was going to enjoy it. Her voice puts me in mind of a younger Marilynne Robinson or - unsurprisingly given his praise on the cover - Colm Toibin.

McKeon places the importance of `home' front and centre in this story, but rather than just rehearsing the familiar theme of the importance of where we come from and what we were, she raises the more problematic possibility that we may need to both break away from home and retain it in equal measure. This is most clearly shown in the conflict between Mark and Tom, as neither man can be said to be fully in the right. Tom cannot understand - as is obvious when he and Mark discuss the career of a friend's son, a software engineer, who also lives in Dublin - why anyone would need to move away from his immediate locality, and he believes that Mark need only spend a few days a month in Dublin to teach. Meanwhile, Mark fails in both worlds as he tries to keep a foot in each, managing to write only two chapters of his thesis - which, ironically, is on local celebrity Maria Edgeworth - in three years, and disappointing his father by only coming to the farm on weekends.

However, other characters also struggle with, and try to solve, this question in differing ways; Joanne breaks completely with her crooked lawyer father, despite his pride that she is the only child to follow in his footsteps, which contrasts interestingly with Mark's closer relationship with his father despite a very different choice of career. A subplot concerning one of Joanne's court cases, between a mother, Elizabeth, and her son, also highlights this theme. It is Elizabeth's daughter, Antonia, who now lives in New York, who fully recognises the tension between one person's concept of home and family and another's; she tells Joanne that her mother considers her to be `estranged', despite the fact that they are in regular contact, because she no longer lives with her. Mark's older sister, Nuala, seems to have achieved the perfect balance, as Tom sorrowfully describes: she moves to London, `coming home to see them only once or twice a year,' although she phones often, and `when she visited, he seemed never to have a conversation with her that lasted longer than their conversations on the phone. Always, she seemed only in the door with her suitcase... before she was heading off with the cases again'. Yet, later in the novel, Nuala's decision to limit her contact with her parents is one she regrets.

McKeon gently reveals these shifts, misunderstandings and unmet expectations in our dealings with other people through her use of switching third-person points of view, juxtaposing one character's inner monologue with another's. On an early date, Joanne anticipates the way Mark will react when she tells him a story about her annoying colleague, how he will take her side, but in the event he is too busy watching her hand gestures to listen to what she is saying. Mark continually anticipates the way Tom will react to certain statements and even plans comments that he thinks will please him, but his father stubbornly refuses to behave in the way that he expects. When they have one of their most serious arguments, McKeon takes it off-page and reveals what was said only in both characters' inner thoughts later; the importance of what passed is only magnified by its absence. Her avoidance of contemporary brand names or TV programmes also gives the novel a timeless quality, despite its obviously modern setting on the brink of the Irish recession, which lends it weight; Tom is puzzled by a miserable English soap, rather than Eastenders, and Joanne's aforementioned annoying colleague shows off the red soles on her shoes, rather than boasting about having a pair of Louboutins. In their own ways, both Tom and Mark are trapped in the past; Mark goes round in endless circles with Maria Edgeworth, while Tom still can't quite believe that Mark is no longer the little boy who was so keen to ride in his tractor, and eventually tries to appeal to that little boy, rather than the adult Mark has become.

While this novel has its tragic moments, it is ultimately well-titled; like Robinson's `Gilead', there is balm to be found in `Solace' for the failures and misunderstandings of everyday life. I very much recommend this, and I can't wait to see what McKeon writes next.
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4 of 5 people found the following review helpful
By L. H. Healy TOP 500 REVIEWER VINE™ VOICE
Format:Hardcover|Amazon Vine™ Review (What's this?)
Mark Casey has gone from one way of life with his parents on their farm in rural Ireland, to the city life of Dublin, where he is an academic. He teaches part-time at Trinity and is working on his PhD about a writer, Maria Edgeworth, who came from the same area of Ireland as him. He visits his parents on occasional weekends and helps his father with the tasks on the farm. They have a difficult relationship; Mark knows that his father doesn't understand the nature or point of his academic studies, whilst Tom, his father, is set in his ways and wishes Mark would be more involved in the farm, and sees that as Mark's `proper' future. This is one of the main conflicts, between father and son, past and future. As the novel commences, Mark is struggling to focus on his research, and it is whilst out drinking in Dublin with a friend and avoiding work, that he meets Joanne, a trainee solicitor, and they begin seeing each other. It emerges that there is in fact an interesting and turbulent history between their families. Then part way through the novel, two huge, unexpected events occur which will change all their lives forever. It's hard to comment much further on the storyline from this point onwards without spoiling the plot for future readers.

This is a moving and impressive debut novel tinged with sadness, and it draws you in. The author captures accurately and beautifully the way relationships develop, with cleverly observed insights into relationships between new partners, between parents and children, and about everyone's expectations of each other. It depicts the eternal misunderstandings and disappointments between generations; in fact this is what is very much at the heart of the novel. It deals with love, sadness and loss, and the demands of traditional versus modern lifestyles. The pace is slow and gentle, and then suddenly the author will deal a devastating blow. I keep thinking about the title, and where solace is found for the characters in the novel. It has been endorsed by Colm Toibin and I would certainly draw positive comparisons in the writing style between the work of his that I have read and this novel. If they are something you enjoy reading, you may enjoy this too.
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Most Recent Customer Reviews
An exploration of changing generations perspectives
Having Irish roots, I am always attracted to Irish novels and Irish writers.

This novel portrays the old and traditional cultural view of a farming community which... Read more
Published 4 days ago by D. M. Trowsdale
Perspective on change
This a lovely book - it gently pulls the reader into a very familiar scenario for anyone reared in late 20th Century Ireland. 'Old traditional' ways give way. Read more
Published 26 days ago by M.D.
Solace
You know right from the outset that some tragic event has happened, although it takes some while for the nature of the event to become clear. Read more
Published 1 month ago by Marand
Drawn Out and Inappropriate use of Language
Upon reflection the story line is an interesting one, and kept me reading to find out what happens.
It does reflect the issues of the time rather appropriately in modern... Read more
Published 4 months ago by Keni8em
Solace
Had to read for a reading group I belong to. It was a pleasure to read, it absolutely took you to the place with the choice of language and descriptions. Read more
Published 6 months ago by Christine
What a load of tripe
I loathed this book. As a solicitor married to a farmer it may be that some of it was a bit close to home; but whereas the farm scenes rang uncomfortably true, the legal scenes... Read more
Published 7 months ago by Samantha Joyce
Generational loneliness
The very apposite title gives the theme of the prose, classic and traditional, as is the story which morphs into the literary style. Read more
Published 8 months ago by Jane Baker
Subtle and heartbreaking
This is a superbly written novel about family dislocation,love,loss,grief and regeneration.It rings so true. Read more
Published 8 months ago by Lorna Bevan
A perfect story of ordinary people
Solace is one of the best books I've read this year. It's written very beautifully, and draws you in from beginning to end. Read more
Published 8 months ago by Mr. D. J. Carr
The perfect marriage of style and subject
The novel starts with a flash forward, in which Mark Casey is on his father Tom's farm near Longford in rural Ireland, helping with the harvest while caring for his infant daughter... Read more
Published 8 months ago by S. B. Kelly
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