- Audio CD (14 May 2001)
- Number of Discs: 1
- Label: Milestone
- ASIN: B00005AT32
- Other Editions: Audio CD
- Average Customer Review: 5.0 out of 5 stars See all reviews (3 customer reviews)
- Amazon Bestsellers Rank: 295,638 in Music (See Top 100 in Music)
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Product details |
Track Listings
| 1. comes love |
| 2. i never went away |
| 3. ruby |
| 4. dearly beloved |
| 5. how little we know |
| 6. a little piece of heaven |
| 7. i wished on the moon |
| 8. be sure I'll let you know |
| 9. if you could see me now |
| 10. tomorrow never came |
| 11. i keep going back to Joe's |
| 12. happy with the blues |
| 13. rainbow sleeves |
Product Description
Amazon.co.uk Review
Long established as the UK's outstanding male jazz singer, Ian Shaw shows on Soho Stories why his international reputation has now also taken flight. Recorded in New York with a fine supporting band of mostly local musicians, this set showcases his huskily mature, wide ranging baritone voice as he flawlessly performs an excellent selection of material. Some of the songs are familiar, although none has been overused, while some have been heard only rarely before this. Ian chose the material for its meaning to him and he takes his listeners on an exploration of the special intimacies of the lyrics. Instrumental support is exemplary, with Ian's regular pianist, James Pearson and bassist and drummer Chip Jackson and Mark Fletcher all in very good form. Among the guests sparking the occasion are tenor saxophonists Bob Kindred and Eric Alexander, trumpeter Lew Soloff, guitarist Joe Beck and pianist Cedar Walton. Swinging with seemingly effortless ease from start to finish, this is Ian Shaw at his considerable best. --Bruce Crowther
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Most Helpful Customer Reviews
10 of 10 people found the following review helpful:
5.0 out of 5 stars
A Shaw thing,
By
This review is from: Soho Stories (Audio CD)
It's clear that Ian Shaw is a storytelling singer. It may be someone else's story, but Shaw is a maker of musical sounds who always studies the words. This attraction to good writing leads him to some rich material, and songs that other jazz vocalists haven't picked out yet. So with a new Ian Shaw CD, you can expect new material - and the newest here is almost as new as the album - as well as the work of the creators of the popular songbook. Consequently, the range of songwriting is as extensive as Shaw's vocal range. And that is something. For one thing, between his pacy swing through the classic "Dearly beloved" and "Tomorrow never came", a gem from that mistress of suburban sad, Fran Landesman, lie over sixty years; and, for another, Shaw can caress in mellow baritone and swoop to a falsetto as effortlessly (and as winningly) as a Lleyton Hewitt low half-volley return followed by a winning smash.So "Soho Stories" is an honest title, and a clever one. It is the second album that Shaw, the British male jazz vocalist of the moment who made his name at Ronnie Scott's in the early '90s, has made in New York with an Anglo-American line-up of musicians. So it's Soho meets SoHo, and it builds on the success of the first transatlantic effort, the excellent "In A New York Minute", by cementing his reputation Stateside among people who care about good songs sung well and creatively. While the mix of material, and generations, is broad, the flow of music is consistent because Shaw gets well into the spirit and harmony of the songs. He is a most welcome musical magpie, alighting on Hoagy Carmmichael's "How little we know" (the Bacall ballad from "To Have and Have Not"), and, metaphorically, making himself so at home that the lyric re-emerges utterly believed in with that uncertainty that greets a new relationship. Then there's Janis Ian's "Ruby" which yields a world of tragic consequences, in a tough arrangement by Shaw himself (one of many). From there, where do you stop? Who else, at present, records such compelling collections of musical short stories? In there is Dorothy Parker's "I wished on the moon" (too rarely sung nowadays) and the poignant masterpiece by Jack Segal and Marvin Fisher, "I keep goin' back to Joe's", which Shaw's staccato phrasing actually strengthens. The stories are by no means all of the 'round midnight variety. There's the sprightly "Comes love" - "comes a rainstorm/you put rubbers on your feet, comes a snowstorm/you can get a little heat" go the words, and Shaw adds light and movement too. And how did he choose "Happy with the blues"? Or more accurately, why don't more people do this number? To hear it, and to ask the same question, you have to buy this album. Shaw is characteristically generous in his credits to the musicians he works with. His leadership is apparent, but so is his teamwork. James Pearson is his regular pianist, and his great sense of time and keyboard wit are on show here as they are at any gig he plays. On one track Pearson cedes the piano stool to the legendary Cedar Walton, while deployed over the album's playing time is outstanding work by Eric Alexander (ts), Chip Jackson (bass), Mark Fletcher (drums), among others. The album notes, by Grammy Award-winner Joel E. Siegel, are also good. And how often can you say all of that?
5 of 6 people found the following review helpful:
5.0 out of 5 stars
Stunning arrangements and interpretations of great songs.,
By A Customer
This review is from: Soho Stories (Audio CD)
I bought this CD from Amazon on the recommendation of a friend after she had seen Ian Shaw in concert in Bristol recently and raved about his voice. I was amazed, this is a great record. Ian uses his voice like an instrument rather than a conventional "singer". It's impossible to describe in words, you just have to hear him.
5 of 6 people found the following review helpful:
5.0 out of 5 stars
Undoubtably the finest male jazz singer in the UK.,
By A Customer
This review is from: Soho Stories (Audio CD)
Soho Stories is collection of songs that really allows the versitility, range and charm of Ian Shaw's vocal acrobatics to shine. Beautifully recorded and presented, this is his finest album to date. Outstanding tracks are "Comes Love" (you will never have heard it done like this before!), "Ruby", and the smouldering "I Keep Going Back To Joe's". Ian is supported by a host of top musicians including piano by Cedar Walton, and the remarkable skills of James Pearson. At over 50 minutes, this album is excellent value for money and guaranteed to please and enthrall jazz fans of all ages.
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