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Sock [Paperback]

Penn Jillette

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Frequently Bought Together

Customers buy this book with God, No!: Signs You May Already Be an Atheist and Other Magical Tales £11.19

Sock + God, No!: Signs You May Already Be an Atheist and Other Magical Tales
Price For Both: £19.97

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Product details

  • Paperback: 228 pages
  • Publisher: Griffin Trade Paperbacks; New title edition (July 2004)
  • Language English
  • ISBN-10: 0312328052
  • ISBN-13: 978-0312328054
  • Product Dimensions: 21 x 14 x 1.7 cm
  • Amazon Bestsellers Rank: 465,851 in Books (See Top 100 in Books)

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Penn Jillette
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Bad monkey wammerjammer. Read the first page
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Customer Reviews

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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:  34 reviews
24 of 27 people found the following review helpful
GOAT HAIR 28 Aug 2004
By Kerry Leimer - Published on Amazon.com
Format:Paperback|Amazon Verified Purchase
An unblinkered sort of book, "Sock" entertains while it instructs. There's a little bit of Martin Amis here, angry and funny and dark. There's a decent refutation of Pascal as well -- if you like that sort of thing there's another good one by Stanislaw Lem you might look up. The pop culture references are sometimes a bit forced, but more often than not it's fun to think about how the individual references relate to the story itself: a nice, concise way to dimensionalize the narrative. The references have a great reach, along the lines of early Mystery Science Theatre 3000. It starts with the Rolling Stones (great re-purposing of existing material) and manages to reach as far back (out?) to Safe as Milk / Trout Mask Replica vintage Captain Beefheart. Click Clack.

As a novel, "Sock" is really somewhat basic, it transposes traditional stock elements of "mysteries" into a more abstract set of events. The technique could be interpreted as a gimmick, if it weren't for the fact that the whodunit aspects aren't the real driving force of the narrative. That said, the prose is the thing and it remains fully charged throughout (honestly: no let down in the second act). In fact, in many ways the story itself could easily be considered secondary. The real driving force is some pointed stabs at capital "F" faith, god and all that comes with it. You'll find an undressing of the notion of being agnostic and a strong call for atheism. Rats, rats lay down flat.

This orientation does manage to depart, again, from the typical novel form and end our little story with a sort of essay in unmitigated and convincing favor of sanity over faith. Sock lets you know in no uncertain terms that it's time to put god on the shelf with the rest of your toys and start living like a thinking adult. Given the current tone of life in the good old U.S., this is a brave act and I think we owe Mr. Jillette our of thanks for adding to the ever more urgent literature and ideas capable of getting us out of the dark ages and into touch with a more real world. Time to replace superstition with a more genuine sense of ourselves and the world we live in. Hey! If you still need something to believe, believe in Sock. La Rossa extends her hand.
10 of 10 people found the following review helpful
Believers need not apply 2 Aug 2004
By J. C. Foster - Published on Amazon.com
Format:Paperback
When I read an article about this book coming out, I thought Best. Idea. Ever. An Atheist sock monkey telling a murder mystery. Brilliant!

I wouldn't have read it had it not been by Penn Jillette. First things first: I used to hate Penn and Teller. Back when Penn did all the voice over work for Comedy Central, he drove me nuts. But my perspective changed dramaticly after the Showtime series "Bull****." The show was fantastic. I agreed with almost every single thing on there, and it gave me a whole new dimension to who Penn Jillette was: An Atheist, like me. He's very charasmatic, convincing, and intelligent on the show. I'd even go so far as to say I have a man-crush on him.

This book is really an Atheist manifesto thinly disguised as a murder mystery told through the POV of a Sock Monkey. There is a story there, but it gets sidetracked a LOT and goes on about social commentary, including quite a bit on religion. All the lead characters are Atheist as well. And because it comes from such a hard slant, anyone of faith may have a pretty tough time getting through this.

Most people might have a tough time anyway. The writing starts off very dense. Very stream of consciousness. The level of the density at the beginning doesn't hold up all the way through, though. And the constant song refrences get kind of old. Sometimes they really seem thrown in. If it weren't the most famouse chorus lines from each song, I might not have minded.

What I think the story really is about is a love story between a gay man and a straight man without turning into a traditional love story. I am going to assume that this being Penn's first novel, and the first persion perspective, that it is mostly his actual voice coming through in the book. If so, then I have to say that he is probably the most well adjusted human being on the face of this planet. The world needs a lot more people like him.

The one thing that turned me off (besides the scant dialogue, which doesn't even apear until 50+ pages in) would be the resolution. I thought it was a bit of a cop out. It lost a little bit of its edge for me there.

All in all Sock got me to do something I haven't done in two years: Read a book. I'm not going to say it was great, but it was good. It kept me thinking about it long after I finished it, which is what every good book should do.
12 of 14 people found the following review helpful
excellent first novel 26 Feb 2005
By James J. Lippard - Published on Amazon.com
Format:Paperback
Penn argues for atheism, subtly promotes the Libertarian Party (pp. 96-97), argues against newage (p. 101), criticizes Buddhism (pp. 139, 186), explains cold reading (pp. 184-185), puts Scientology in its place (pp. 163, 210), and tells an entertaining story of a NYPD diver and murder from the point of view of the diver's boyhood sock monkey.

I enjoyed the book very much. The ending of many paragraphs with pop culture references was at first annoying, but it became more comfortable as the book progressed, and the lines were well selected. (There's a site on the Internet that lists them all and where they came from.)

My only complaint is a very jarring change of voice that occurs in a paragraph on pp. 166-167 ("a friend of ours").

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