Snow Country (Penguin Modern Classics)
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Product Description
Product Description
Shimamura is tired of the bustling city. He takes the train through the snow to the mountains of the west coast of Japan, to meet with a geisha he believes he loves. Beautiful and innocent, Komako is tightly bound by the rules of a rural geisha, and lives a life of servitude and seclusion that is alien to Shimamura, and their love offers no freedom to either of them. Snow Country is both delicate and subtle, reflecting in Kawabata's exact, lyrical writing the unspoken love and the understated passion of the young Japanese couple.
About the Author
Yasunari Kawabata was born near Osaka in 1899 and was orphaned at the age of two. His first stories were published while he was still in high school and he decided to become a writer. He graduated from Tokyo Imperial University in 1924 and a year later made his first impact on Japanese letters with Izu Dancer. He soon became a leading figure the lyrical school that offered the chief challenge to the proletarian literature of the late 1920s. His writings combine the two forms of the novel and the haiku poems, which within restrictions of a rigid metre achieves a startling beauty by its juxtaposition of opposite and incongruous terms. Snow Country (1956) and Thousand Cranes (1959) brought him international recognition. Kawabata died by his own hand, on April 16 1972.
Snow Country is translated from the Japanese by Edward G. Seidensticker (1921-2007), who was a prominent scholar of Japanese literature.
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Customer Reviews
Most Helpful Customer Reviews
38 of 40 people found the following review helpful
Format:Paperback
Unless you are familiar with Japanese culture and language, you will find Snow Country different from most any novel you may have read. Read superficially the novel appears to follow a simple plot and structure. Yet, its intensity and beauty lies in the lyrical imagery of landscape and evocation of the protagonists' complex psyche and their relationships.
The novel can be compared to a Japanese brushstroke painting, economic and suggestive, where the observant eye is able to complete the picture or the story. To fully appreciate Kawabata's prose in English, newcomers are well advised to empty their minds of other, mainly western, literary experiences and expectations and open up to a different world. Snow Country has to be read at a very slow pace. Every word has importance, with sometimes more than one meaning. With these preparations and attitude of mind, Snow Country is an enriching experience that will linger on long after reading it.
Kawabata tells the story of Shimamura, a wealthy man of leisure who's visiting a hot springs mountain resort to meet the local geisha, Komako. He comes for distraction and out of boredom with his real life in Tokyo. Komako is a reluctant geisha, but has resigned herself to her role, while hoping for some other life. The contrast between what they are and what they would like to be is played out in their interactions. Shimamura is drawn to the unreal or the unlikely or impossible. He wants to remain "just friends" with Komako. Her chatty and highly emotional outbursts leave him somewhat amused and bored, yet he misses her when away from her. She does not behave like a real mountain geisha. His room is like a refuge from that life, a place where she can literally let her hair down. Shimamura's attraction for the other young girl, Yoko, a friend and rival to Komako, is as contradictory. In her shyness and reserve she is desirable. She appears to him beautiful and pure, a delicate reflection in the window against the mountain landscape.
Nature and landscape are of great importance to Kawabata and articulated through Shimamura. Nature's beauty is felt more intensely by him than anything else. When he and Komako find themselves outdoors, they have nothing to say to each other. Yet even nature provokes contradictory emotions in Shimamura. "...he looked upon mountain climbing as almost a model of wasted effort. For that very reason it pulled at him with the attraction of the unreal."
Kawabata was one of Japan's most famous writers. He won the Nobel Prize for Literature in 1968. His Nobel Lecture elucidates his deep affinity to and understanding of classical haiku poetry. Haiku represents a fundamental element of Japanese culture then and now. Snow Country has been described as haiku in prose. Kawabata uses a shorthand style for his descriptions, evoking simultaneously multiple senses, like colour and temperature, stillness and motion, attraction and rejection. Nature is all encompassing with people one component of the wider picture. The novel is rich in symbolism and references to Japanese traditions and mythology. However, some are easier to identify than others. While accepting that the English language reader will miss some of the deeper meanings and connotations, Snow Country is a novel that opens a fascinating world and deservedly has an enviable place in international literature. It is difficult to comment on the quality of Seidensticker's translation. Still, as others have expressed, one wonders whether the translation could have contributed more to the novel's appreciation by the reader. [Friederike Knabe]
The novel can be compared to a Japanese brushstroke painting, economic and suggestive, where the observant eye is able to complete the picture or the story. To fully appreciate Kawabata's prose in English, newcomers are well advised to empty their minds of other, mainly western, literary experiences and expectations and open up to a different world. Snow Country has to be read at a very slow pace. Every word has importance, with sometimes more than one meaning. With these preparations and attitude of mind, Snow Country is an enriching experience that will linger on long after reading it.
Kawabata tells the story of Shimamura, a wealthy man of leisure who's visiting a hot springs mountain resort to meet the local geisha, Komako. He comes for distraction and out of boredom with his real life in Tokyo. Komako is a reluctant geisha, but has resigned herself to her role, while hoping for some other life. The contrast between what they are and what they would like to be is played out in their interactions. Shimamura is drawn to the unreal or the unlikely or impossible. He wants to remain "just friends" with Komako. Her chatty and highly emotional outbursts leave him somewhat amused and bored, yet he misses her when away from her. She does not behave like a real mountain geisha. His room is like a refuge from that life, a place where she can literally let her hair down. Shimamura's attraction for the other young girl, Yoko, a friend and rival to Komako, is as contradictory. In her shyness and reserve she is desirable. She appears to him beautiful and pure, a delicate reflection in the window against the mountain landscape.
Nature and landscape are of great importance to Kawabata and articulated through Shimamura. Nature's beauty is felt more intensely by him than anything else. When he and Komako find themselves outdoors, they have nothing to say to each other. Yet even nature provokes contradictory emotions in Shimamura. "...he looked upon mountain climbing as almost a model of wasted effort. For that very reason it pulled at him with the attraction of the unreal."
Kawabata was one of Japan's most famous writers. He won the Nobel Prize for Literature in 1968. His Nobel Lecture elucidates his deep affinity to and understanding of classical haiku poetry. Haiku represents a fundamental element of Japanese culture then and now. Snow Country has been described as haiku in prose. Kawabata uses a shorthand style for his descriptions, evoking simultaneously multiple senses, like colour and temperature, stillness and motion, attraction and rejection. Nature is all encompassing with people one component of the wider picture. The novel is rich in symbolism and references to Japanese traditions and mythology. However, some are easier to identify than others. While accepting that the English language reader will miss some of the deeper meanings and connotations, Snow Country is a novel that opens a fascinating world and deservedly has an enviable place in international literature. It is difficult to comment on the quality of Seidensticker's translation. Still, as others have expressed, one wonders whether the translation could have contributed more to the novel's appreciation by the reader. [Friederike Knabe]
16 of 18 people found the following review helpful
Format:Paperback
This book was absolutely wonderful and very moving. I found myself thinking about the characters and setting for days after I finished the book. This book tells the story of tragic and hopeless love through a very unique and heartbreaking approach. The setting of the cold mountain area was described in such a way that brought chills down my back. This was an excellent book that went straight to my heart. Read it.
12 of 14 people found the following review helpful
Format:Paperback
A very symbolic and psychological novel in which nature is a very important backdrop. I felt a plane of silence, the silence of snow, throughout the novel. I felt the internal bleakness of the characters. Komako is the representation of beauty and love going to waste. She shows that both love and beauty are transient. She lives in the snow country, but she is always beautifully red. This shows her desperation and the love which she is denied. Both women are symbolic of beauty and love, but they will both go to decay in the snow country. They are like their images on glass, which are transient things.
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Most Recent Customer Reviews
I wasn't that fussed
It was ok, I suppose - but it all felt too literary for me. It didn't really feel like it went anywhere, and the characters didn't seem to grow. Read more
Published 12 months ago by Taryn East
The Sadness of Things
In Japanese the term "Yukiguni", or "Snow Country", is used to describe those areas of western Honshu, between the mountains and the Sea of Japan, which receive large amounts of... Read more
Published 14 months ago by J C E Hitchcock
Skilful but also painful
I read this book having rather enjoyed one of Kawabata's others - A Thousand Cranes - and found his subtle yet powerful style intriguing and potentially attractive. Read more
Published on 18 May 2010 by Andrew K. Evans
Snow Country
`Snow Country' is a beautiful novel from the Nobel prize winning novelist Yasunari Kawabata. It follows Shimamura who spends his vacation time at a isolated mountain hot spring... Read more
Published on 26 April 2010 by Spider Monkey
Gentle
This is a book that is beautiful in its simplicity. The issues put forward are very subtly portrait in the relationship of a self-indulgent Japanese man that doesn't know what he... Read more
Published on 5 Jan 2006 by N. Green
Snow Country is a disappointing entry from a Nobel Laureate.
Simply put, Snow Country is an incomplete work which tiptoes around the weakly-told tale of a vacationing husband and his relationship with an atypical geisha.
Published on 3 Feb 1999
Beautiful Translation
Snow country is a very tender and gentle story of love and fixation. My interest in Geishas started with Goldbloom's THE MEMOIRS OF A GEISHA, and after reading that book, I went... Read more
Published on 31 Dec 1998
A poetic story illustrates a timeless tragedy.
It has often been said Yasanuri Kawabata's books read like beautiful poems. In reading "Snow Country", it was easy to see why Kawabata's writing has earned this... Read more
Published on 1 Nov 1997
Beautifully written & translated
A beautiful book. Kawabata is a master at depicting loneliness and sadness. You can feel
the whiteness and the cold, cutting against your face and under your feet,
and... Read more
the whiteness and the cold, cutting against your face and under your feet,
and... Read more
Published on 4 Aug 1997
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