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The 'today' of the novel is 1948, when Queenie Bligh has given up waiting for her husband Bernard to come back from his service in the Second World War, and to make ends meet has let rooms in her house out to immigrants from Jamaica, among them Gilbert Joseph and his wife Hortense. And that is Small Island in a sentence. But it takes us back through the four main characters' lives before and during the war, each speaking to us in their own voice. The ventriloquism is elegant and brilliantly managed, making us sympathetic to all the characters in turn, and gripped by their flowingly told stories; so much so that when they come into conflict at the end of the novel, we are as torn as they are, and don't know which way to turn.
There is tragedy and comedy everywhere in Small Island, and Levy seems incapable of misjudging the tone, whether she wants to depict casual racism, tender young friendship, cold middle-class romance, or the numb relentlessness of twentieth century warfare. The writing is frequently beautiful, and she has a way of approaching a new scene sidelong, rather than head-on, that brings the reader into it with freshness and curiosity. Minor characters come alive.
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