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Small Change
 
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Small Change

9 July 2008 | Format: MP3

7.49 (VAT included if applicable)
Buy the CD album for 5.70 and get the MP3 version for FREE. Does not apply to gift orders.
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Song Title
Time
Popularity  
1
6:39
2
5:43
3
3:44
4
4:53
5
3:40
6
5:24
7
2:32
8
4:50
9
4:07
10
5:07
11
3:17

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Product details

  • Original Release Date: 9 July 2008
  • Release Date: 9 July 2008
  • Label: Rhino/Elektra
  • Copyright: 1990 Asylum Records Inc.
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 49:56
  • Genres:
  • ASIN: B001F7K2I2
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (24 customer reviews)
  • Amazon Bestsellers Rank: 28,177 in MP3 Albums (See Top 100 in MP3 Albums)

Customer Reviews

4.5 out of 5 stars
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Most Helpful Customer Reviews

18 of 19 people found the following review helpful By Thomicas on 14 July 2010
Format: Audio CD
"I was sick through that whole period. It was starting to wear on me, all the touring. I'd been traveling quite a bit, living in hotels, eating bad food, drinking a lot - too much. There's a lifestyle that's there before you arrive and you're introduced to it. It's unavoidable."

Tom Waits said this about the time the album was recorded, and these are exactly the feelings reflected on the album. Inebriated tales of drunks and hard-luck people trying to to cope with life. Disillusionment with the commercial and success. All wrapped up in drunken piano ballads and voice weary with extensive cigarette smoking and too much whiskey.

So, the atmosphere and themes are great; it's really what makes this album. But Waits doesn't just settle with this, no, he goes on to write some of the greatest tunes of his career, the most wonderful lyrics he ever wrote and delivers some of his finest vocals ever.

From the very moment the string section of "Tom Traubert's Blues" fades in, the album grips you by the heart. It gives you everything; grand weepers such as "Tom Traubert's Blues", up-beat, jazzy and groovy pieces such as "Step Right Up", bittersweet ballads like "I Wish I Was In New Orleans", funny drunk ramblings in "The Piano Has Been Drinking (Not Me) and some darker material such as "The One That Got Away" and "Invitation To The Blues".

Every song on here has its own life, and stirs your emotions in different ways. The album is an amazing listen from both a musical and emotional point of view. Do yourself a favor and don't miss out on this one.
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21 of 23 people found the following review helpful By faz on 6 Feb 2003
Format: Audio CD
I have listened to tom waits since I was a kid, (which I have my dad to thank for), and only really recently bought some of his stuff my self. However I believe that it is not too nave of me to say that this really is one of the finest albums there is. From the opening tracks of “Tom Traubert’s Blues” and “Step Right Up” (my dads favourite), the album is decorated with melody and blues. However my favourites are the slightly insane: “The piano has been drinking (not me)” and “Pasties and a G-String” where I think his genius is most evident. Now don’t get me wrong I am by no means of the imagination any “Tom Waits” expert (hey I am only 20), though I do know great music when I hear it, and there are very, very few albums that I would give 5 stars in any kind or rating. However this has always been one of my favourites and is easily worthy of a 5 star rating. There isn’t really a great deal else that can be said without listening to the album for your self, but worth mentioning is that Waits is one of the few artist out there who has been (and still is) recognised for his talent rather than his “commercial appeal”, and for which reason, in my mind, has never sold out.
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2 of 2 people found the following review helpful By GlynLuke TOP 500 REVIEWER on 24 Sep 2011
Format: Audio CD
A splendidly-named movement teacher, Jo Jelly, had the honour of introducing me to the magisterial Tom Waits. At drama college in `76, the year of the release of Small Change, she would put on Tom Traubert`s Blues, the opener of this now-classic album, first thing every session while we did our warm-up exercises - unlikely as that sounds. I couldn`t believe my ears, and very soon asked Jo who the guy was with the improbable voice singing such a unique song, with its Walzing Matilda refrain. (What endeared me to her forever was that she would then play Bonnie Raitt, whom I hadn`t then heard either. I have a lot to thank Jo for.)
Those reviewers who complain that TW seemed to be creating a self-myth on the back of his influences - well of course he was, and to some extent still is. Let`s say it loud & clear: Tom is a Romantic, a dirt-literate roughhouse ring-master who wears his Howlin` Wolf/Cap`n Beefheart influences on his worn sleeve, a breath of unfresh air in the wonderful wacky world of pop back in the faraway 70s, and still going strong, having discovered sobriety, family life, more things to hit and bash on than a piano - a drinking one or not - and a way with words almost unequalled by any of his peers.
After the lush, exquisite Tom Traubert`s Blues comes a parodic cascade of ad-man exhortations in the form of Step Right Up, which tries to sell you the ultimate gizmo that`ll do it all & more:

"It makes excuses for unwanted lipstick on your collar
and it`s only a dollar..."

This is the wittiest, wildest rap you`ll ever hear:

"It entertains visiting relatives"

Not only that:

"It walks your dog, and it doubles on sax...
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2 of 2 people found the following review helpful By Sebastian Palmer TOP 500 REVIEWERVINE VOICE on 26 May 2011
Format: Audio CD
I love everything about this album, even the trashy cover. And on the back there's a fabulous black and white pic of Waits smoking Lucky Strikes, taken by Bruce Weber (director of the fabulous Chet Baker biopic Let's Get Lost), that's shameful in it's power to make impressionable youths want to take up smoking.

I'm quite proud to say I'm not amongst those whose favourite-ever Waits song is 'Tom Traubert's Blues'. Don't get me wrong, it's a good 'un. I mean, this is Tom Waits after all, and at the peak of his powers. But I've always found it slightly odd that so much hyperbole has been expended on this particular track. Personally I prefer the understated Tin Pan Alley melancholy sophistication of 'Invitation To The Blues', or 'Bad Liver And A Broken Heart'. And those are just tracks I prefer over TTB from this album, it certainly doesn't make my top ten Waits' tunes list, it's not even close.

'Step Right Up' and 'Pasties And A G-String' are from the more upbeat end of his spoken word raps, both highly entertaining. I love how, in the former, the band are so much into it that one of them lets out a howl at one point. I don't know this for sure, but I believe it's drummer Shelly Manne. Waits must've had some kind of mojo-inducing effect on drummers (he certainly does on me, and I'm a drummer!), as he elicited some rare vocal harmonies from John Seiter on Closing Time.

Whilst the quality of tunes isn't 100% even, as with most Waits albums from this period, it's nonetheless the combined package that makes the whole so effective.
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